Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:112191626:1974 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:112191626:1974?format=raw |
LEADER: 01974cam a22003614a 4500
001 5620945
005 20221121194624.0
008 051101s2005 azu b 001 0 eng
010 $a 2005031639
020 $a0866983392 (alk. paper)
024 3 $a9780866983396
035 $a(OCoLC)ocm62281766
035 $a(NNC)5620945
035 $a5620945
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
050 00 $aPQ155.S76$bC39 2005
082 00 $a840.9/36$222
100 1 $aCazelles, Brigitte.$0http://id.loc.gov/authorities/names/n79008280
245 10 $aSoundscape in early French literature /$cby Brigitte Cazelles.
260 $aTempe, Ariz. :$bArizona Center for Medieval and Renaissance Texts Studies in collaboration with Brepols,$c2005.
300 $a186 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMedieval and Renaissance texts and studies ;$vv. 295
504 $aIncludes bibliographical references (p. [167]-184) and index.
505 00 $gI.$tThe big bang -- $gII.$tThe blares of power -- $gIII.$tThe white noise of perfection -- $gIV.$tParasitic homophones -- $gV.$tSonus Mortis -- $gVI.$tConclusion the ambivalence of noise.
520 1 $a"Soundscape in Early French Literature is a study of how sound is employed in a variety of Latin and early French works. In five chapters, titled to reflect the author's attention to and interest in sound. Cazelles shows that sound plays a much more crucial role in literature than we may have realized and that noise has a textuality."--BOOK JACKET.
650 0 $aFrench literature$yTo 1500$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008104133
650 0 $aSound in literature.$0http://id.loc.gov/authorities/subjects/sh94009081
830 0 $aMedieval & Renaissance Texts & Studies (Series) ;$vv. 295.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip062/2005031639.html
852 00 $bglx$hPQ155.S76$iC39 2005