Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:129278798:2758 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:129278798:2758?format=raw |
LEADER: 02758cam a2200289 a 4500
001 5641857
005 20221121200236.0
008 060607s2006 mau b 000 0 eng d
020 $a1889097683
035 $a(OCoLC)69650842
035 $a(OCoLC)ocm69650842
035 $a(NNC)5641857
035 $a5641857
040 $aCMalG$cCMalG$dDNGA$dOrLoB-B
043 $an-us---
090 $aN6512$b.S2556 2006
100 1 $aSandler, Irving,$d1925-2018.$0http://id.loc.gov/authorities/names/n50016625
245 10 $aFrom avant-garde to pluralism :$ban on-the-spot history /$cIrving Sandler.
260 $aLenox, Mass. :$bHard Press Editions,$c2006.
300 $a292 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $tAbstract expressionism : the noise of traffic on the way to Walden Pond, in American art in the 20th century : painting and sculpture 1913-1993 -- $tWillem de Kooning, 1904-1997 -- $tConversations with de Kooning -- $tGuston : a long voyage home -- $tExpression through color, after Matisse -- $tMark Rothko : Mark Rothko paintings 1948-1969 -- $tClyfford Still : emerging from eclipse -- $tAd Reinhardt : the purist blacklash -- $tJoan Mitchell paints a picture -- $tAsh can revisited : a New York letter -- $tThe sculpture of Richard Stankiewicz -- $tIn the galleries : Robert Rauschenberg -- $tIn the galleries : Jasper Johns -- $tA personal memoir, 1958-1962 -- $tThe deluge of popular culture -- $tThe new cool-art -- $tConcrete expressionism -- $tThe decline and rise of American realism -- $t1967 : out of minimal sculpture -- $tCritic's choice 1969-70 -- $tModernism, revisionism, pluralism, and post modernism -- $tThe club -- $tThe irascibles -- $tTenth Street then and now -- $tStatement, Tanager Gallery -- $tProvincetown in the fifties : a memoir -- $tArtists space -- $tInto the 1990s, art of the postmodern.
520 1 $a"From Avant Garde to Pluralism: An On-The-Spot-History is an overview written at-the-moment of the evolution of modern art in the second half of the 20th century. Irving Sandler was a trend-spotter, and insider, and an accomplice in the art world. The artists were his friends and collaborators." "Here, assembled for the first time, is a selection of Sandler's seminal writings from half a century ago to the present. These essays chronicle the sweeping changes in Modern Art, from the isms of 1950's and 60's - Abstract Expressionism, Pop and Minimalism - to the pluralism, where the artist tends to reject the idea of being part of a group, that has dominated the art world for the last thirty years."--BOOK JACKET.
650 0 $aArt, American$y20th century$xThemes, motives.
852 80 $bfax$hN6512$iSa5638