Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:132182732:3437 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:132182732:3437?format=raw |
LEADER: 03437pam a22004214a 4500
001 5644744
005 20221121200527.0
008 051110s2006 nyuag b 001 0deng
010 $a 2005032853
015 $aGBA642554$2bnb
016 7 $a013454913$2Uk
019 $a67870710
020 $a0415973821 (hb)
024 3 $a9780415973823
035 $a(OCoLC)OCM62302390
035 $a(NNC)5644744
035 $a5644744
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dOrLoB-B
041 1 $aeng$hger
042 $apcc
050 00 $aML410.R25$bA25 2006
082 00 $a780$222
100 1 $aReger, Max,$d1873-1916.$0http://id.loc.gov/authorities/names/n79108398
240 10 $aEssays.$kSelections.$lEnglish$0http://id.loc.gov/authorities/names/n2005081481
245 10 $aSelected writings of Max Reger /$cedited and translated by Christopher Anderson.
260 $aNew York :$bRoutledge,$c2006.
300 $axliii, 138 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aTranslated from German.
504 $aIncludes bibliographical references (p. 131-134) and index.
505 00 $gPt. I.$tDefense of the Beitrage zur Modulationlehre of 1903 -- $g1.$tI request the floor! -- $g2.$t"More light" -- $gPt. II.$tThe "Draeseke controversy" of 1906 -- $g3.$tMusic and progress -- $g4.$tAn open letter -- $g5.$tHugo Riemann : degeneration in music -- $g6.$tDegeneration and regeneration in music -- $gPt. III.$tReception -- $g7.$tHugo Wolf's artistic legacy -- $g8.$tOn April 1 -- $g9.$tFelix Mendelssohn Bartholdy's songs without words -- $g10.$t[On Johann Sebastian Bach] -- $g11.$t[On Richard Strauss] -- $gPt. IV.$t"Analyses" of Reger's works for the festivals of the Allgemeiner Deutscher Musikverein -- $g12.$tString quartet op. 74 in D minor -- $g13.$tVariations and fugue on a theme of Joh. Seb, Bach for piano, two hands op. 81; and variations and fugue on a theme of Beethoven for two pianos, four hands op. 86 -- $g14.$tPsalm 100 for chorus, orchestra, and organ op. 106 -- $g15.$tQuartet for violin, viola, violoncello, and piano op. 113 -- $g16.$tRomischer Triumphgesang for men's chorus and orchestra op. 126.
520 1 $a"Max Reger (1873-1916) proved to be a thoroughly distinctive and controversial composer in an era of profound upheaval on artistic, social, and political fronts. This compact collection of his writings, including eight essays and other smaller pieces, appears for the first time in English, translated in a lively, accessible style that reveals Reger as an important contributor to the often vituperative aesthetic dialogue of his day." "Selected Writings of Max Reger is richly annotated and introduced by an essay that addresses Reger's peculiarly conflicted relationship to the written word. Not only do its contents spark insight with regard to Reger and his music, but the book also contributes to the reception in history of figures like Mendelssohn, Wagner, Brahms, Wolf, and Richard Strauss."--BOOK JACKET.
600 10 $aReger, Max,$d1873-1916.$0http://id.loc.gov/authorities/names/n79108398
650 0 $aMusic$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85088794
700 1 $aAnderson, Christopher,$d1966 July 13-$0http://id.loc.gov/authorities/names/n2002075272
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip063/2005032853.html
852 00 $boff,mus$hML410.R25$iA25 2006