MARC Record from marc_columbia

LEADER: 02980cam a22004094a 4500
001 5517791
005 20221121180623.0
008 050325t20052005ctua b 001 0 eng
010 $a 2005008545
015 $aGBA568744$2bnb
016 7 $a013274079$2Uk
020 $a0300109148 (cl : alk. paper)
035 $a(OCoLC)ocm58919618
035 $a(NNC)5517791
035 $a5517791
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dYUS$dOrLoB-B
042 $apcc
043 $ae-it---
050 00 $aND623.D6124$bC76 2005
082 00 $a759.5$222
100 1 $aCropper, Elizabeth,$d1944-$0http://id.loc.gov/authorities/names/n83159563
245 14 $aThe Domenichino affair :$bnovelty, imitation, and theft in seventeenth-century Rome /$cElizabeth Cropper.
260 $aNew Haven :$bYale University Press,$c[2005], ©2005.
300 $axi, 266 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 242-258) and index.
505 00 $g1.$tAgostino Carracci's Last Communion of Saint Jerome --$g2.$tDomenichino's Last Communion of Saint Jerome --$g3.$tImitation, influence, invention : the Carracci and Tasso --$g4.$tNovelty, translation, theft : controversy in the 1620s --$g5.$tBegging, stealing, and being caught out : two centuries of debate --$tCoda : a reflection on the history of art.
520 1 $a"Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco's teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix." "Why was Domenichino attacked in this way when other related paintings - including Raphael's Marriage of the Virgin and Perugino's painting of the same subject - aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino's plight signifies in art history."--BOOK JACKET.
600 00 $aDomenichino,$d1581-1641$xAuthorship.
600 10 $aCarracci, Agostino,$d1557-1602.$0http://id.loc.gov/authorities/names/n87839265
600 00 $aJerome,$cSaint,$d-419 or 420$vArt.
650 0 $aImitation in art.$0http://id.loc.gov/authorities/subjects/sh85064502
650 0 $aPainting, Renaissance$zItaly.$0http://id.loc.gov/authorities/subjects/sh2010106268
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0510/2005008545.html
852 80 $bfax$hND623 Z14$iC88
852 00 $bbar$hND623.D6124$iC76 2005