MARC Record from marc_columbia

LEADER: 03681pam a22003974a 4500
001 5685656
005 20221121202053.0
008 051201t20062006inuab b 001 0 eng
010 $a 2005035134
020 $a0268038880 (cloth : alk. paper)
024 3 $a9780268038885
035 $a(OCoLC)OCM62430860
035 $a(NNC)5685656
035 $a5685656
040 $aDLC$cDLC$dBAKER$dC#P$dOrLoB-B
042 $apcc
043 $ae-fr---$ae-it---
050 00 $aND623.C222$bP56 2006
082 00 $a759.5$222
100 1 $aPlesch, Véronique,$d1957-$0http://id.loc.gov/authorities/names/nr94016867
245 10 $aPainter and priest :$bGiovanni Canavesio's visual rhetoric and the Passion cycle at La Brigue /$cVéronique Plesch.
260 $aNotre Dame, Ind. :$bUniversity of Notre Dame Press,$c[2006], ©2006.
300 $axxix, 458 pages :$billustrations (some color), map ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 405-430) and index.
505 00 $g1.$t"Venerabilis Vir Dominus Presbiter Iohannes de Canavexiis de Pinayrolo Pinctor" -- $g2.$t"Ecclesia Fundata in Territorio Brigae sub Vocabulo B. M. de Fontano" -- $g3.$tElocutio : Canavesio's pictorial idiom at Notre-Dame des Fontaines -- $g4.$tImitatio : pictorial sources of the Passion cycle at Notre-Dame des Fontaines -- $g5.$tInventio and Dispositio -- $g6.$tAmplificatio : Canavesio's narrative complexity -- $g7.$tExpolitio : Tituli, scrolls, and labels -- $g8.$tConclusion : Giovanni Canavesio's Ars praedicandi -- $gApp. A.$tCanavesio's other Passion cycles -- $gApp. B.$tComparative list of scenes in Canavesio's Passion cycles -- $gApp. C.$tSavoyard Passion cycles frequently mentioned in the text.
520 1 $a"Giovanni Canavesio, a Piedmontese artist-priest active in the last decades of the fifteenth century in the southern Alps, left behind a significant body of work, including pictorial cycles and altarpieces. This book is an in-depth analysis of his most ambitious cycle on the Passion of Christ, completed in 1492, on the walls of the pilgrimage sanctuary of Notre-Dame des Fontaines outside the French town of La Brigue." "Plesch's primary aim is to understand the cycle's complex and multi-layered meaning. She analyzes the subject matter of the scenes, the significance of their order, how the pictorial and graphic sources were adapted, and the range of formal and visual means used to convey content. Plesch also places Canavesio and his pictorial cycle within wider contexts of the production and consumption of religious art and the nature of devotion in an early modern rural Alpine community." "The two facets of Canavesio's life and work - that of artist and that of priest - are also discussed. By placing the cycle within the larger universe of late medieval religious devotion, Plesch connects Canavesio's work not only with preaching but with devotional meditation and religious theater as well."--BOOK JACKET.
600 10 $aCanavesio, Giovanni,$dactive 1450-1500$xCriticism and interpretation.
600 00 $aJesus Christ$xPassion$vArt.$0http://id.loc.gov/authorities/subjects/sh2014000550
650 0 $aMural painting and decoration, Italian$zFrance$zLa Brigue.
650 0 $aMural painting and decoration, Medieval$zFrance$zLa Brigue.
610 20 $aNotre Dame des Fontaines (Chapel : La Brigue, France)$0http://id.loc.gov/authorities/names/n2003003249
700 1 $aCanavesio, Giovanni,$dactive 1450-1500.$0http://id.loc.gov/authorities/names/nr2003011743
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip064/2005035134.html
852 80 $bfax$hND623 C1685$iP73