MARC Record from marc_columbia

LEADER: 03288cam a2200325 a 4500
001 5518914
005 20221121180736.0
008 060119t20062006ilua b 000 0 eng c
020 $a1577664051
035 $a(OCoLC)ocm63146283
035 $a(NNC)5518914
035 $a5518914
040 $aWAU$cWAU$dOrLoB-B
042 $apcc
050 4 $aN5311$b.E9 2006
245 00 $aExploring world art :$bEric Venbrux, Pamela Sheffield Rosi, Robert L. Welsch.
260 $aLong Grove, Ill. :$bWaveland Press,$c[2006], ©2006.
300 $ax, 403 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $g1.$tExploring world art : an introduction /$rRobert L. Welsch, Eric Venbrux and Pamela Sheffield Rosi -- $g2.$tGauguin, Negrin, and the art of anthropology : reflections on the construction of art worlds in a Costa Rican port city /$rRussell Leigh Sharman -- $g3.$tAnthropologies of art : three approaches /$rWilfried van Damme -- $g4.$tCircuits of African art/paths of wood : exploring an anthropological trail /$rPaul Stoller -- $g5.$tTourism, aesthetics, and global flows along the Swahili coast /$rSidney L. Kasfir -- $g6.$t"Frame that rug!" : narratives of Zapotec textiles as art and ethnic commodity in the global marketplace /$rSharon W. Tiffany -- $g7.$tContending Indian : art-worlds : Patta Chitra paintings in Orissa /$rHelle Bundgaard -- $g8.$tThe unsettled business of tradition, indigenous being, and acrylic painting /$rFred R. Myers -- $g9.$tThe postcolonial virtue of aboriginal art from Bathurst and Melville islands /$rEric Venbrux -- $g10.$tGender, location, and tradition : a comparison of two Papua New Guinean contemporary artists /$rJacquelyn A. Lewis-Harris -- $g11.$tThe disputed value of contemporary Papua New Guinea artists and their work /$rPamela Sheffield Rosi -- $g12.$tHigh art as tourist art, tourist art as high art : comparing the New Guinea Sculpture Garden at Stanford University and Sepik River tourist art /$rEric K. Silverman -- $g13.$t"Do we still have no word for art?" : a contemporary Mohawk question /$rMorgan Perkins -- $g14.$tCommodities of authenticity : when Native people consume their own "tourist art" /$rAlexis Bunten -- $g15.$tLiving with the ancestors in an international contemporary art world /$rNick Stanley -- $g16.$tCuratorial authority and postmodern representations of African art /$rCarol Hermer -- $g17.$tNative American art in a global context : politicization as a form of aesthetic response /$rNancy Marie Mithlo -- $g18.$tThe authenticity of contemporary world art : afterword /$rRobert L. Welsch.
650 0 $aArt.$0http://id.loc.gov/authorities/subjects/sh85007461
650 0 $aArt$xPolitical aspects.$0http://id.loc.gov/authorities/subjects/sh85007495
650 0 $aArt and society.$0http://id.loc.gov/authorities/subjects/sh85007975
650 0 $aArt, Prehistoric.$0http://id.loc.gov/authorities/subjects/sh85007853
700 1 $aVenbrux, Eric.$0http://id.loc.gov/authorities/names/n95014212
700 1 $aRosi, Pamela Sheffield.$0http://id.loc.gov/authorities/names/no2006007454
700 1 $aWelsch, Robert Louis,$d1950-$0http://id.loc.gov/authorities/names/n88654898
852 80 $bfax$hN5313$iEx74