MARC Record from marc_columbia

LEADER: 02205cam a2200373 a 4500
001 5525149
005 20221121181153.0
008 050309s2005 enk b 000 0 eng
010 $a 2005005885
020 $a0754641503 (alk. paper)
035 $a(OCoLC)464216095
035 $a(OCoLC)ocn464216095
035 $a(NNC)5525149
035 $a5525149
040 $aDLC$cDLC$dDLC$dNNC
042 $apcc
043 $ae-uk-en
050 00 $aML3131.2$b.H37 2005
082 00 $a781.71/3/0094209032$222
100 1 $aHerissone, Rebecca.$0http://id.loc.gov/authorities/names/n00066422
245 10 $a"To fill, forebear, or adorne" :$bthe organ accompaniment of Restoration sacred music /$cRebecca Herissone.
260 $aAldershot, Hants ;$aBurlington, VT :$bAshgate,$c2005.
300 $axiii, 141 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aRoyal Musical Association monographs ;$v14
504 $aIncludes bibliographical references (p. ).
505 0 $aIntroduction -- The comments of Roger North -- Organ books associated with London sacred institutions -- A note about anthems with strings -- The principal characteristics of Restoration organ books -- Doubling the inner parts -- Figuring -- Number of voices played -- Alteration and addition of material -- Adaptation of double vocal lines -- Independent material added to vocal sections -- Distinctions between different genres and sections -- Service settings, full anthems, and verse anthems -- Choruses, ensemble verses, and solos -- Ritornelli -- Incomplete right-hand parts and figured bass parts -- The unusual case of Matthew Locke -- How doth the city sit solitary -- Locke's style of accompaniment in context -- Conclusions.
650 0 $aChurch music$zEngland$y17th century.
650 0 $aMusical accompaniment$zEngland$y17th century.
650 0 $aOrgan music, Arranged$zEngland$y17th century$xHistory and criticism.
830 0 $aRoyal Musical Association monographs ;$vno. 14.$0http://id.loc.gov/authorities/names/n84725200
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip058/2005005885.html
852 00 $boff,mus$hML3131.2$i.H37 2005