| Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:226633963:2916 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:226633963:2916?format=raw |
LEADER: 02916pam a22003494a 4500
001 5986044
005 20221121220551.0
008 060607s2006 nyuabf b 001 0deng
010 $a 2006043621
020 $a0060545585
024 3 $a9780060545581
035 $a(OCoLC)OCM70107133
035 $a(NNC)5986044
035 $a5986044
040 $aDLC$cDLC$dBAKER$dOCO$dC#P$dOrLoB-B
043 $ae-fr---
050 00 $aND547.5.I4$bR64 2006
082 00 $a759.4/09034$222
100 1 $aRoe, Sue.$0http://id.loc.gov/authorities/names/n83009709
245 14 $aThe private lives of the impressionists /$cSue Roe.
250 $a1st U.S. ed.
260 $aNew York :$bHarperCollins Publishers,$c2006.
300 $aviii, 356 pages, 8 unnumbered pages of plates :$billustrations (some color), maps ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [315]-322) and index.
505 00 $gPt. 1.$tThe birth of impressionism -- $g1.$tNapoleon III's Paris -- $g2.$tThe circle widens -- $g3.$tCafe life -- $g4.$tModelling -- $gPt. 2.$tWar -- $g5.$tThe siege -- $g6.$tThe Paris commune -- $g7.$t'The week of blood' -- $gPt. 3.$tFormations -- $g8.$tRecovery -- $g9.$tThe group charter -- $gPt. 4.$tDancing at the Moulin de la Galette -- $g10.$tDealers and salesrooms -- $g11.$tSummer in Montmartre -- $gPt. 5.$tThe atmosphere of the Boulevard -- $g12.$tStreet life -- $g13.$tLa Vie Moderne -- $gPt. 6.$tDivisions -- $g14.$tNew tensions -- $g15.$tThe group divides -- $gPt. 7.$tFinal years -- $g16.$tThe impressionists in New York -- $tEndnote : the impressionist market.
520 1 $a"Manet, Monet, Pissarro, Cezanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Their contemporaries branded them as lunatics but today this is a roll-call of great artists, whose paintings evoke a unique atmosphere of harmony." "In a vivid and moving narrative, Sue Roe shows how the early leaders of the group met in the studios of Paris and lived and worked closely together for over twenty years. Painting outdoors, meeting in cafes, they supported each other and shared emotional and financial difficulties. Defying the hide-bound rules of the Salon des Beaux Arts, they staged joint exhibitions and rebelled against artistic prejudice, moral tyranny and social hierarchy. Often rejected by their horrified parents, they led volatile and precarious lives: the men among them married servants, models, flower-sellers and, although their paintings now sell for millions, for years they were barely able to support their families."--BOOK JACKET.
650 0 $aImpressionism (Art)$zFrance.$0http://id.loc.gov/authorities/subjects/sh2008104318
650 0 $aPainters$zFrance$xHistory$y19th century$vBiography.
650 0 $aImpressionist artists$zFrance$vBiography.$0http://id.loc.gov/authorities/subjects/sh2009126799
852 80 $bfax$hND547$iR62