| Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:236896217:2742 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:236896217:2742?format=raw |
LEADER: 02742pam a22003974a 4500
001 5995669
005 20221121222017.0
008 060328s2006 ncua b 001 0 eng
010 $a 2006010440
015 $aGBA678873$2bnb
016 7 $a013552840$2Uk
020 $a0822338769 (cloth : alk. paper)
020 $a0822338920 (pbk. : alk. paper)
024 3 $a9780822338765
024 3 $a9780822338925
035 $a(OCoLC)OCM65425834
035 $a(NNC)5995669
035 $a5995669
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dOrLoB-B
042 $apcc
043 $aa-ja---
050 00 $aML3531$b.C66 2006
082 00 $a782.4216490952$222
100 1 $aCondry, Ian.$0http://id.loc.gov/authorities/names/nr00017716
245 10 $aHip-hop Japan :$brap and the paths of cultural globalization /$cIan Condry.
260 $aDurham :$bDuke University Press,$c2006.
300 $ax, 249 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [235]-245) and index.
505 00 $tIntroduction : hip-hop, Japan, and cultural globalization -- $g1.$tYellow B-boys, black culture, and the Elvis effect -- $g2.$tBattling hip-hop samurai -- $g3.$tGenba globalization and locations of power -- $g4.$tRap fans and consumer culture -- $g5.$tRhyming in Japanese -- $g6.$tWomen rappers and the price of cutismo -- $g7.$tMaking money, Japan-style -- $tConclusion : lessons of hip-hop globalization.
520 1 $a"In this ethnography Ian Condry interprets Japan's vibrant hip-hop scene, explaining how a music and culture that originated halfway around the world is appropriated and remade in Tokyo clubs and recording studios. Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described "yellow B-Boys" express their devotion to "black culture," how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define "real" Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan's female rappers struggle to find a place in a male-dominated genre. Condry pays particular attention to the messages of emcees, considering how their raps take on subjects including Japan's education system, its sex industry, teenage bullying victims turned schoolyard murderers, and even America's handling of the war on terror."--BOOK JACKET.
650 0 $aRap (Music)$zJapan$xHistory and criticism.
650 0 $aCulture and globalization$zJapan.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0611/2006010440.html
852 00 $bmus$hML3531$i.C66 2006