MARC Record from marc_columbia

LEADER: 02096cam a2200337Ia 4500
001 5596160
005 20221121191342.0
008 060405s2006 nyua b 000 0 eng d
010 $a 2005933787
020 $a0847828115
024 3 $a9780847828111
035 $a(OCoLC)ocm65212730
035 $a(NNC)5596160
035 $a5596160
040 $aTEF$cTEF$dBAKER$dOrLoB-B
041 1 $aeng$hita
050 4 $aND623.T7$bT58 2006
082 04 $a759.5$222
245 00 $aTitian /$c[edited by Cecilia Gibellini] ; preface by Corrado Cagli ; [translation, Timothy Stroud].
260 $aNew York :$bRizzoli,$c2006.
300 $a191 pages :$billustrations (some color) ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aArt classics
504 $aIncludes bibliographical references (p. 191).
520 1 $a"Regarded as the greatest Venetian painter of the sixteenth century and one of the foremost artists of the Italian High Renaissance, Titian's canvases are remarkable for their unmatched symphonies of color and poetry of form. While scholars continue to debate precisely how much influence Giorgionne and the Bellinis had on Titian's formation, his immense and rich body of work speaks for itself, proving that regardless of where he came from and who he studied with, Titian launched painting in an entirely new realm. His works, distinguished by their radical technical approaches, provide us with mythical and religious retellings enriched by allegory and insightful personal portraits. The many artists and writers who over the past four centuries have looked to his frescoes and oil paintings for inspiration attest to Titian's inimitable artistic vision."--BOOK JACKET.
600 00 $aTitian,$dapproximately 1488-1576$xCriticism and interpretation.
700 1 $aGibellini, Cecilia.$0http://id.loc.gov/authorities/names/nr2002028246
700 0 $aTitian,$dapproximately 1488-1576.$0http://id.loc.gov/authorities/names/n79074519
830 0 $aArt classics.$0http://id.loc.gov/authorities/names/no2005060833
852 80 $bfax$hND623 T53$iT5347