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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-013.mrc:105324861:3299
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:105324861:3299?format=raw

LEADER: 03299cam a2200385 a 4500
001 6129424
005 20221122000252.0
008 060925t20072007laua 000 0deng
010 $a 2006030166
020 $a9780807132524 (cloth : alk. paper)
035 $a(OCoLC)71789813
035 $a(OCoLC)ocm71789813
035 $a(DLC) 2006030166
035 $a(NNC)6129424
035 $a6129424
040 $aDLC$cDLC$dNNC$dOrLoB-B
043 $an-us-la
050 00 $aF379.N543$bS68 2007
082 00 $a976.3/35$222
100 1 $aSpielman, David G.,$d1950-$0http://id.loc.gov/authorities/names/n97046472
245 10 $aKatrinaville chronicles :$bimages and observations from a New Orleans photographer /$cDavid G. Spielman.
260 $aBaton Rouge :$bLouisiana State University Press,$c[2007], ©2007.
263 $a0705
300 $aix, 131 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a"When Hurricane Katrina approached New Orleans, photographer David G. Spielman decided to stay and weather the storm, assisting his Uptown neighbors, a community of Poor Clare nuns. Katrina passed, and as the flood waters filled the city, the scope of the devastation only gradually dawned on Spielman, who was cut off from outside communication. Faced with the greatest personal and professional challenge of his life, he determined to document the scene unfolding around him. He managed to secure a generator to power his laptop computer, and in the days, weeks, and months after August 29, 2005, he transmitted e-mails to hundreds of friends and clients and cautiously traversed the city taking photographs. Katrinaville Chronicles gathers Spielman's images and observations, relating his unique perspective on and experience of a historic catastrophe." "Spielman never expected his e-mails to survive beyond the day he sent them. But his descriptions of what he was seeing, hearing, smelling, thinking, feeling, and fearing in post-Katrina New Orleans were forwarded again and again, even around the globe. They reveal the best and worst in Spielman: a Samaritan who becomes caretaker of the sisters' monastery, as well as a stressed gent who frets about the lack of starched shirts and a decent cup of coffee. He rants about political leaders and voices a deep concern for his city's future. He tells of feeling overwhelmed, at a loss for words, unable to capture on film the individual tragedies manifested in home after destroyed home, many marked by death. His arresting black-and-white photographs record the details of the disaster on both a grand and an intimate scale, at times recalling works by Walker Evans, Robert Frank, and Henri Cartier-Bresson."--BOOK JACKET.
651 0 $aNew Orleans (La.)$vPictorial works.$0http://id.loc.gov/authorities/subjects/sh2008116313
650 0 $aHurricane Katrina, 2005$vPictorial works.
651 0 $aNew Orleans (La.)$xSocial conditions$vPictorial works.
651 0 $aNew Orleans (La.)$xDescription and travel.$0http://id.loc.gov/authorities/subjects/sh85091381
651 0 $aNew Orleans (La.)$xSocial conditions.
600 10 $aSpielman, David G.,$d1950-$vCorrespondence.
650 0 $aPhotographers$zLouisiana$zNew Orleans$vCorrespondence.
852 80 $bfax$hNH138 N39$iSp44