Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:135219662:3151 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:135219662:3151?format=raw |
LEADER: 03151pam a22003734a 4500
001 6162955
005 20221122002118.0
008 060629t20072007cau b s001 0 eng
010 $a 2006021749
015 $aGBA711930$2bnb
016 7 $a013672310$2Uk
020 $a9780520247383 (cloth : alk. paper)
020 $a0520247388 (cloth : alk. paper)
020 $a9780520251236 (pbk. : alk. paper)
020 $a0520251237 (pbk. : alk. paper)
035 $a(OCoLC)OCM70230732
035 $a(OCoLC)70230732
035 $a(NNC)6162955
035 $a6162955
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dOrLoB-B
050 00 $aPN1998.3.W45$bR67 2007
082 00 $a791.43023/3092$222
100 1 $aRosenbaum, Jonathan.$0http://id.loc.gov/authorities/names/no2020035622
245 10 $aDiscovering Orson Welles /$cJonathan Rosenbaum.
260 $aBerkeley :$bUniversity of California Press,$c[2007], ©2007.
300 $aix, 336 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $g1.$tI missed it at the movies : objections to "raising Kane" -- $g2.$tThe voice and the eye : a commentary on the Heart of darkness script -- $g3.$tNotes on a conversation with Welles -- $g4.$tFirst impressions of F for fake -- $g5.$tThe butterfly and the whale : Orson Welles's F for fake -- $g6.$tPrime cut (the 107-minute Touch of evil) -- $g7.$tAndre Bazin and the politics of sound in Touch of evil -- $g8.$tThe invisible Orson Welles : a first inventory -- $g9.$tReviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- $g10.$tAfterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- $g11.$tWellesian : Quixote in a trashcan (New York University Welles Conference) -- $g12.$tReviews of Citizen Welles and a critical edition of Chimes at midnight -- $g13.$tReview of Orson Welles : a bio-bibliography -- $g14.$tOrson Welles's essay films and documentary fictions : a two-part speculation -- $g15.$tThe seven Arkadins -- $g16.$tOthello goes Hollywood -- $g17.$tTruth and consequence : on It's all true : based on an unfinished film by Orson Welles -- $g18.$tAfterword to The cradle will rock, an original screenplay by Orson Welles -- $g19.$tOrson Welles in the U.S. : an exchange with Bill Krohn -- $g20.$tThe battle over Orson Welles -- $g21.$tTouch of evil retouched -- $g22.$tExcerpt from "Problems of access : on the trail of some festival films and filmmakers" (on Touch of evil) -- $g23.$tWelles in the lime light : The third man -- $g24.$tOrson Welles as ideological challenge -- $g25.$tOrson Welles's purloined letter : F for fake -- $g26.$tWhen will - and how can - we finish Orson Welles's Don Quixote? -- $gApp.$tThe present state of the Welles film legacy.
600 10 $aWelles, Orson,$d1915-1985$xCriticism and interpretation.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0616/2006021749.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0702/2006021749-d.html
852 00 $bglx$hPN1998.3.W45$iR67 2007