| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:135230640:3212 |
| Source | marc_columbia |
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LEADER: 03212pam a22004094a 4500
001 6162959
005 20221122002119.0
008 060621t20072007nyua b s001 0 eng
010 $a 2006020755
015 $aGBA723225$2bnb
016 7 $a013700147$2Uk
020 $a0791470954 (hardcover : alk. paper)
020 $a9780791470954 (hardcover : alk. paper)
035 $a(OCoLC)OCM70199862
035 $a(OCoLC)70199862
035 $a(NNC)6162959
035 $a6162959
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dOrLoB-B
043 $ae-ie---$bn-us---
050 00 $aPN1993.5.I85$bP73 2007
082 00 $a791.4309417$222
100 1 $aPramaggiore, Maria,$d1960-$0http://id.loc.gov/authorities/names/n96049545
245 10 $aIrish and African American cinema :$bidentifying others and performing identities, 1980-2000 /$cMaria Pramaggiore.
260 $aAlbany :$bState University of New York Press,$c[2007], ©2007.
300 $aix, 245 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe SUNY series, cultural studies in cinema/video
504 $aIncludes bibliographical references (p. 209-237) and index.
505 00 $gCh. 1.$tIdentifying others -- $gCh. 2.$tSampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- $gCh. 3.$t"It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- $gCh. 4.$tCulturing violence : masculine identification in Irish and African American gangster films -- $gCh. 5.$t"Both sides of the epic" : identification and the nonessentialist Western -- $tConclusion : film identification and postmodern identity politics.
520 1 $a"Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET.
650 0 $aMotion pictures$zIreland.$0http://id.loc.gov/authorities/subjects/sh2006008076
650 0 $aAfrican Americans in motion pictures.$0http://id.loc.gov/authorities/subjects/sh85002011
650 0 $aAfrican Americans in the motion picture industry.$0http://id.loc.gov/authorities/subjects/sh85002012
830 0 $aSUNY series, cultural studies in cinema/video.$0http://id.loc.gov/authorities/names/n96040861
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0616/2006020755.html
852 00 $bglx$hPN1993.5.I85$iP73 2007