MARC Record from marc_columbia

LEADER: 03552cam a2200469 a 4500
001 6169982
005 20221122002459.0
008 060519t20062006onca b 001 0 eng
016 $a20069027757
020 $a0802091792 (bound)
020 $a9780802091796 (bound)
035 $a(OCoLC)ocm69599377
035 $a(OCoLC)69599377
035 $a(NNC)6169982
035 $a6169982
040 $aNLC$beng$cNLC$dBAKER$dC#P$dYDXCP$dVP@$dOrLoB-B
050 4 $aPR421$b.F67 2006
055 01 $aPR421
055 0 $aPR421$bF79 2006
055 00 $aPR421$bF79 2006
082 0 $a820.9/003$222
100 1 $aFrye, Northrop.$0http://id.loc.gov/authorities/names/n50000248
245 10 $aNorthrop Frye's notebooks on Renaissance literature /$cedited by Michael Dolzani.
260 $aToronto :$bUniversity of Toronto Press,$c[2006], ©2006.
300 $alviii, 494 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCollected works of Northrop Frye ;$vv. 20
504 $aIncludes bibliographical references and index.
520 1 $a"Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature." "Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects the comprehensive study of Renaissance symbolism in three volumes that Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never completed this work; nevertheless, his application, part of which is also included here, is an important document. It not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism." "In addition to providing insight into Frye's thinking process, the material collected here is of unique importance because much of it touches on topics not fully explored in his other published works."--BOOK JACKET.
650 0 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008119581
600 10 $aSpenser, Edmund,$d1552?-1599$xCriticism and interpretation.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.$0http://id.loc.gov/authorities/subjects/sh85120926
600 10 $aFrye, Northrop$vNotebooks, sketchbooks, etc.
650 6 $aLittérature anglaise$y1500-1700 (Moderne)$xHistoire et critique.
600 16 $aSpenser, Edmund,$d1552?-1599$xCritique et interprétation.
600 16 $aShakespeare, William,$d1564-1616$xCritique et interprétation.
600 16 $aFrye, Northrop,$d1912-1991$vNotes, esquisses, etc.
700 1 $aDolzani, Michael,$d1951-$0http://id.loc.gov/authorities/names/no2002067355
800 1 $aFrye, Northrop.$tWorks ;$vv. 20.
852 00 $bglx$hPN75.F7$iA2 1996 v.20
852 0 $bsho