| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:151548891:3216 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:151548891:3216?format=raw |
LEADER: 03216cam a22004334a 4500
001 6177928
005 20221122003019.0
008 061114s2007 nyuaf b 001 0 eng
010 $a 2006038241
020 $a9780823225569 (cloth : alk. paper)
020 $a0823225569 (cloth : alk. paper)
020 $a9780823225576 (pbk. : alk. paper)
020 $a0823225577 (pbk. : alk. paper)
035 $a(OCoLC)ocm76794761
035 $a(DLC) 2006038241
035 $a(OCoLC)76794761
035 $a(NNC)6177928
035 $a6177928
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dOrLoB-B
043 $ae-ne---
050 00 $aND1319.3$b.B47 2007
082 00 $a757.09492/09032$222
100 1 $aBerger, Harry.
245 10 $aManhood, marriage, & mischief :$bRembrandt's 'Night watch' and other Dutch group portraits /$cHarry Berger, Jr.
246 3 $aManhood, marriage, and mischief
250 $a1st ed.
260 $aNew York :$bFordham University Press,$c2007.
300 $axx, 272 pages, 16 pages of plates :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 227-265) and index.
505 00 $tIntroduction : a shot in the dark -- $gPt. 1.$tGroup portraits and the fictions of the pose -- $g1.$tToward the interpretation of performance anxiety -- $g2.$tPortraiture and the fictions of the pose -- $g3.$tThe posographical imperative : a comparison of genres -- $g4.$tGroup portraiture : coming together and coming apart -- $g5.$tAlois Riegl and the posographical imperative -- $g6.$tPerformance anxiety and the belated viewer -- $gPt. 2.$tMilitias and marriage -- $g7.$tMale bondage and the military imperative -- $g8.$tSocial sources of performance anxiety -- $gPt. 3.$tPicturing family values -- $g9.$tThe preacher's wife -- $g10.$tWomen with elbows -- $g11.$tFamilies making music -- $gPt. 4.$t'The night watch' as homosocial pastoral -- $g12.$tThe Night Watch : how the sandbank crumbles -- $g13.$tEvasive action : three ways to shore up the sandbank -- $g14.$tCaptain Cocq and the unruly musketeer -- $g15.$tDisaggregation as class conflict -- $g16.$tManual mischief : the loneliness of the red musketeer -- $g17.$tBetween Stad and Stadholder : Captain Cocq's dilemma -- $g18.$tPosographical misfires -- $g19.$tAn odd couple : the ghost of Anslo's wife -- $tCoda : playing soldier.
520 1 $a"A study of the theory and practice of seventeenth-century Dutch group portraits, Manhood, Marriage, and Mischief offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations."--BOOK JACKET.
650 0 $aPortraits, Group$zNetherlands.
650 0 $aPortrait painting, Dutch$y17th century.
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669.$tNight watch.$0http://id.loc.gov/authorities/names/n98096977
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669$xCriticism and interpretation.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip075/2006038241.html
852 80 $bfax$hND653 R28$iB4535