MARC Record from marc_columbia

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049 $aZCUA
100 1 $aWalker, Michael.
245 10 $aHitchcock's motifs /$cMichael Walker.
260 $aAmsterdam :$bAmsterdam University Press,$c2005.
300 $a1 online resource (490 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 1 $aFilm culture in transition
504 $aIncludes bibliographical references (pages 421-429), filmography (p. 431-462) , and index.
505 00 $gPart I.$tHitchcock, Motifs and Melodrama.$tIntroduction --$tThree motifs.$tHome movies --$tCigarette case/lighter --$tMilk --$tMelodrama and Hitchcock's motifs --$tAn elaborated motif: the Bed Scene in Rebecca and Marnie --$tA melodramatic motif: hands --$tDiagrammatic representations --$tOverview of the key motifs --$gPart II.$tThe Key Motifs.$tBED SCENE --$tCouples and beds --$tBeds and the police --$tBLONDES AND BRUNETTES --$tCAMEO APPEARANCES --$tCameos and the police --$tCHILDREN --$tChildren's cameos --$tFamily members --$tChildren and violence --$tChildren and the police --$tCONFINED SPACES --$tBathrooms and washrooms --$tConfinement and concealment --$tCages and bars: fears of imprisonment --$tWashrooms and the police --$tTHE CORPSE --$tThe heroines --$tThe heroes --$tThe villains --$tCorpses and the police --$tDOGS AND CATS --$tDogs and the police --$tDOUBLES --$tDoubles and the police --$tENDINGS AND THE POLICE --$tENTRY THROUGH A WINDOW --$tEntry through a window and the police --$tEXHIBITIONISM / VOYEURISM / THE LOOK --$tEXHIBITIONISM / VOYEURISM --$tSPY FILMS / THE LOOK --$tExhibitionism, voyeurism and the police --$tFOOD AND MEALS --$tFood and marriage --$tFood and sex --$tFood and murder --$tFood and guilt --$tChickens and eggs --$tTable talk and fascism --$tFood and the police --$tGUILTAND CONFESSION --$tCatholic overtones --$tGuilt and Hitchcock's villains --$tTransference of guilt --$tGuilt, confession and the police --$tHANDCUFFS AND BONDAGE --$tHANDS --$tMale hands/female hands --$tHeld wrists --$tDamaged hands --$tHolding hands --$tHands and the police --$tHEIGHTS AND FALLING --$tHeights, falling and the police --$tHOMOSEXUALITY --$tCritical positions --$tGay undercurrents --$tEspionage and the look --$tIvor Novello --$tHomosexuality and the police --$tJEWELLERY --$tGreed --$tStatus --$tFemale desire --$tFemale beauty/male power --$tMale murderousness --$tJewellery and the police --$tKEYS AND HANDBAGS --$tKEYS --$tKeys and handbags --$tHANDBAGS --$tHandbags and keys --$tKeys, handbags and the police --$tLIGHT(S) --$tVampires and blinding --$tMurder and homosexuality --$tLights and the police --$tTHE MACGUFFIN --$tThe MacGuffin and the police --$tMOTHERS AND HOUSES --$tMothers and the police --$tPORTRAITS, PAINTINGS AND PAINTERS --$tPORTRAITS --$tPAINTINGS --$tModern art --$tPAINTERS --$tPortraits, paintings and the police --$tPUBLIC DISTURBANCES --$tPublic disturbances and the police --$tSPECTACLES --$tSpectacles and the police --$tSTAIRCASES --$tHitchcockian levels --$tPolitical variations --$tSinister staircases --$tFreudian overtones --$tCouples and staircases --$tStaircases and the police --$tTRAINS AND BOATS / PLANES AND BUSES --$tTRAINS --$tBOATS --$tPLANES --$tBUSES --$tTrains and boats and the police --$tWATER AND RAIN --$tWATER --$tRAIN --$tWater and the police --$gAppendix I:$tTV Episodes.$tBED SCENE --$tCHILDREN --$tCONFINED SPACES --$tTHE CORPSE --$tDOUBLES --$tFOOD AND MURDER / ENDINGS AND THE POLICE --$tLIGHTS --$tBOATS --$gAppendix II:$tArticles on Hitchcock's motifs --$gAppendix III:$tDefinitions.$tDiegesis --$tPoint-of-view editing.
520 $aHitchcock's work through his recurring motifs.
588 0 $aPrint version record.
546 $aEnglish.
600 10 $aHitchcock, Alfred,$d1899-1980$xCriticism and interpretation.
600 17 $aHitchcock, Alfred,$d1899-1980.$2fast$0(OCoLC)fst00032434
650 0 $aMotion pictures$xPlots, themes, etc.
650 7 $aThe arts.$2bicssc
650 7 $aFilm, TV and radio.$2bicssc
650 7 $aFilms, cinema.$2bicssc
650 7 $aIndividual film directors, film-makers.$2bicssc
650 7 $aPERFORMING ARTS$xFilm & Video$xDirection & Production.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aMotion pictures$xPlots, themes, etc.$2fast$0(OCoLC)fst01027350
650 7 $aMusic, Dance, Drama & Film.$2hilcc
650 7 $aFilm.$2hilcc
653 $aMulti-User.
655 0 $aElectronic book.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aWalker, Michael.$tHitchcock's motifs.$dAmsterdam : Amsterdam University Press, 2005$z9053567720$z9053567739$w(OCoLC)62768303
830 0 $aFilm culture in transition.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio6201054$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS