| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:175443934:4036 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:175443934:4036?format=raw |
LEADER: 04036cam a2200601Ia 4500
001 6201229
005 20210302172408.0
006 m o d
007 cr cnu---unuuu
008 060811s2005 ne ob 001 0 eng d
035 $a(OCoLC)ocm70876773
035 $a(NNC)6201229
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019 $a71447595$a144525483$a714567336$a764536380$a816497066$a961486327$a962561039
020 $a1423791452$q(electronic bk.)
020 $a9781423791454$q(electronic bk.)
020 $a9401202788$q(electronic bk.)
020 $a9789401202787$q(electronic bk.)
020 $z9042019646
020 $z9789042019645
035 $a(OCoLC)70876773$z(OCoLC)71447595$z(OCoLC)144525483$z(OCoLC)714567336$z(OCoLC)764536380$z(OCoLC)816497066$z(OCoLC)961486327$z(OCoLC)962561039
050 4 $aPN57.C33$bC37 2005eb
072 7 $aPER$x004040$2bisacsh
082 04 $a791.437$222
049 $aZCUA
245 00 $aCarmen :$bfrom silent film to MTV /$cedited by Chris Perriam and Ann Davies.
260 $aAmsterdam ;$aNew York :$bRodopi,$c2005.
300 $a1 online resource (224 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 1 $aCritical studies ;$vv. 24
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aIntroduction; Space, Time and Gender in the Film d'Art Carmen of 1910; Geraldine Farrar and Cecil B. DeMille: The Effect of Opera on Film and Film on Opera in 1915; Carmen and Early Cinema: The Case of Jacques Feyder (1926); Shadow and Substance: Reiniger's Carmen Cuts Her Own Capers; A Carmenesque Dietrich in The Devil Is A Woman: Erotic Scenarios, Modern Desires and Cultural Differences Between the USA and Spain; Rehispanicizing Carmen: Cultural Reappropriations in Spanish Cinema; Putting the Blame on Carmen: The Rita Hayworth Version.
505 8 $aScreen Politics: Otto Preminger's Carmen JonesThe Dissonant Refrains of Jean-Luc Godard's Prénom Carmen; Carlos Saura's Carmen: Hybridity and the Inescapable Cliché; Cinematic Carmen and the 'Oeil Noir'; The Turbulent Movement of Forms: Rosi's Postmodern Carmen; Carmen as Perennial Fusion: From Habanera to Hip-Hop; List of Contributors; Index.
520 $aSince Prosper Mérimée and Georges Bizet (with his librettists Meilhac and Halévy) brought the figure of the Spanish Carmen to prominence in the nineteenth century an astonishing eighty or so film versions of the story have been made. This collection of essays gathers together a unique body of scholarly critique focused on that Carmen narrative in film. It covers the phenomenon from a number of aspects: cultural studies, gender studies, studies in race and representation, musicology, film history, and the history of performance. The essays take us from the days of silent film to twenty-first ce.
650 0 $aCarmen (Fictitious character)
650 0 $aFilm adaptations.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aCarmen (Fictitious character)$2fast$0(OCoLC)fst00847609
650 7 $aFilm adaptations.$2fast$0(OCoLC)fst00924250
655 7 $aFilm adaptations.$2fast$0(OCoLC)fst01710491
655 4 $aElectronic books.
655 7 $aFilm adaptations.$2lcgft
655 0 $aElectronic books.
700 1 $aPerriam, Christopher.
700 1 $aDavies, Ann,$d1961-
776 08 $iPrint version:$tCarmen.$dAmsterdam ; New York : Rodopi, 2005$z9042019646$w(OCoLC)63181786
830 0 $aCritical studies (Amsterdam, Netherlands) ;$vv. 24.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio6201229$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS