MARC Record from marc_columbia

LEADER: 02211cam a22003258a 4500
001 6211488
005 20221122005124.0
008 070116s2007 njua 000 0 eng
015 $aGBA707065$2bnb
016 7 $a013651189$2Uk
020 $a9781890206062 (hbk.)
020 $a1890206067 (hbk.)
035 $a(OCoLC)ocm80332708
035 $a(OCoLC)80332708
035 $a(NNC)6211488
035 $a6211488
040 $aUKM$cUKM$dBAKER$dNNC$dOrLoB-B
082 04 $a709.2$222
245 00 $aBuilding a picture :$bthe art of Nathan Slate Joseph /$cMichaël J. Amy [and others].
246 30 $aArt of Nathan Slate Joseph
260 $aOcean, N.J. :$bMapin ;$aMaidstone :$bAmalgamated Book Services [distributor],$c2007.
300 $a131 pages :$billustrations ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a"Nathan Slate Joseph has been an integral part of the New York School of Art for thirty years. Joseph, who was born in 1943, trained at the Pratt Institute and at the Art Students League in New York, and was nominated for a Guggenheim fellowship with the endorsement of the sculptor John Chamberlain in 1979." "Joseph developed the unique methodology used to produce the paintings seen in this show in the 1970s, when, like Frank Stella, Carl Andre, and John Chamberlain, he began working with found objects. It was during a trip to Mexico in the 70s that Joseph began to work with his characteristically vivid color palette. Like the above-mentioned artists, he developed an affinity for industrial urban materials and simplified forms. Joseph, however, wanted to carve out an aesthetic identity than went beyond the overt visual effect of real objects. In the 60s and 70s, Joseph, began engaging nature to create his art. He then coalesced an earlier interest in the Russian constructivist aesthetic with his urban aesthetic and concern for nature."--BOOK JACKET.
600 10 $aJoseph, Nathan Slate.
650 0 $aNature in art.$0http://id.loc.gov/authorities/subjects/sh2002012103
700 1 $aAmy, Michaël J.$q(Michaël Jacques)$0http://id.loc.gov/authorities/names/nr99022188
700 1 $aJoseph, Nathan Slate.
852 80 $bfax$hND239 J768$iB86