| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:189177879:2752 |
| Source | marc_columbia |
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LEADER: 02752pam a2200373 a 4500
001 6220156
005 20221122005636.0
008 070328t20072007bcca b 001 0 eng d
016 $a20079018807
020 $a9780774813785
020 $a0774813784
035 $a(OCoLC)122280920
035 $a(OCoLC)ocn122280920
035 $a(NNC)6220156
035 $a6220156
040 $aNLC$beng$cNLC$dBAKER$dC#P$dOrLoB-B
050 4 $aPN1995.9.W6$bC44 2007
055 0 $aPN1995.9 W6$bC44 2007
082 0 $a791.43082$222
100 1 $aCheu, Hoi F.$q(Hoi Fung),$d1966-$0http://id.loc.gov/authorities/names/nb2007015387
245 10 $aCinematic howling :$bwomen's films, women's film theories /$cHoi F. Cheu.
260 $aVancouver :$bUBC Press,$c[2007], ©2007.
300 $aviii, 206 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 197-202) and index.
505 00 $g1.$tFeminist film theory and the postfeminist era : Disney's Mulan -- $g2.$tHowling for multitudes : Angela Carter's The company of wolves -- $g3.$tThe female authorial voice : Marguerite Duras' Hiroshima mon amour -- $g4.$tBeyond Freud and Lacan : Susan Streitfeld's Female perversions -- $g5.$tCathartic meta-narrative : Lea Pool's Lost and delirious and Barbara Sweete's Perfect pie (two scripts by Judith Thompson) -- $g6.$tDiasporic imagination and transcultural identity : Clara Law's The goddess of 1967 -- $g7.$tRepresenting representation : Agnes Varda's Sans toit ni loi (Vagabond) -- $g8.$tFrom text to context : metadocumentary and skyworks -- $g9.$tFilling the theory vacuum : Marleen Gorris' Antonia.
520 1 $a"Cinematic Howling presents a refreshingly unorthodox framework for feminist film studies. Instead of criticizing mainstream movies from feminist perspectives, Hoi Cheu focuses on women's filmmaking itself. Integrating systems theory and feminist aesthetics in his close readings of films and screenplays by women, he considers how women engage the process of storytelling in cinema. The importance of these films, he argues, is not merely that they reflect women's perceptions, but that they have the power to reframe experiences and, consequently, to transform life."--BOOK JACKET.
650 0 $aFeminism and motion pictures.$0http://id.loc.gov/authorities/subjects/sh85047748
650 0 $aWomen motion picture producers and directors.$0http://id.loc.gov/authorities/subjects/sh85147651
650 0 $aWomen screenwriters.$0http://id.loc.gov/authorities/subjects/sh93008424
650 0 $aFeminist films.$0http://id.loc.gov/authorities/subjects/sh85047754
852 00 $bglx$hPN1995.9.W6$iC498 2007g
852 00 $bbar$hPN1995.9.W6$iC498 2007g