Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:219313949:3156 |
Source | marc_columbia |
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LEADER: 03156pam a22004454a 4500
001 6257218
005 20221122013353.0
008 060515t20072007caua b s001 0 eng
010 $a 2006016240
015 $aGBA711929$2bnb
016 7 $a013672309$2Uk
020 $a9780520246409 (cloth : alk. paper)
020 $a0520246403 (cloth : alk. paper)
029 1 $aNLGGC$b294764852
035 $a(OCoLC)OCM69028069
035 $a(OCoLC)69028069
035 $a(NNC)6257218
035 $a6257218
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dOrLoB-B
042 $apcc
043 $ae-fr---
050 00 $aNX650.M296$bL94 2007
082 00 $a709.04/063$222
100 1 $aLyford, Amy,$d1963-$0http://id.loc.gov/authorities/names/n2006039083
245 10 $aSurrealist masculinities :$bgender anxiety and the aesthetics of post-World War I reconstruction in France /$cAmy Lyford.
260 $aBerkeley :$bUniversity of California Press,$c[2007], ©2007.
300 $axiv, 237 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 213-223) and index.
505 00 $tIntroduction : the paradox of surrealist masculinity -- $gCh. 1.$tAnxiety and perversion in postwar Paris -- $gCh. 2.$tThe aesthetics of dismemberment -- $gCh. 3.$tThe advertisement of emasculation : Andre Kertesz in surrealist Paris -- $gCh. 4.$tMan Ray, Lee Miller, and the photography of surrealist sexuality -- $gCh. 5.$tOn masculinity and reconstruction.
520 1 $a"Surrealist Masculinities offers a fresh exploration of how gender and sexuality, particularly masculinity, shaped surrealist visual production in the 1920s and early 1930s. Amy Lyford builds on feminist critical approaches to surrealism, which have viewed the female body in surrealism by and large as symptomatic of male misogyny; yet she also departs from such work by arguing that representations of an anxious, ambivalent, or perverse masculinity were integral to the movement's critique of France's "return to order" in the years following World War I. Featuring images that have never before been published, as well as new archival work on the origins and theory of surrealist visual production, this book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated contemporary medical science, advertising, and sexology in their quest to undermine the status quo."--BOOK JACKET.
650 0 $aMasculinity in art.$0http://id.loc.gov/authorities/subjects/sh96012017
650 0 $aHuman figure in art.$0http://id.loc.gov/authorities/subjects/sh85062873
650 0 $aSurrealism$zFrance.$0http://id.loc.gov/authorities/subjects/sh2008112397
650 0 $aArts$zFrance$zParis.
650 0 $aWorld War, 1914-1918$xPsychological aspects.$0http://id.loc.gov/authorities/subjects/sh2010118164
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0702/2006016240-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0702/2006016240-t.html
852 80 $bfax$hN6847$iL98