| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:263266373:3399 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:263266373:3399?format=raw |
LEADER: 03399cam a22004094a 4500
001 6310377
005 20221122021632.0
008 070416s2008 cau b 001 0 eng
010 $zOCN123284921
020 $a9780804756693 (cloth : alk. paper)
020 $a0804756694 (cloth : alk. paper)
035 $a(DLC)OCN123284921
035 $a(OCoLC)123284921
035 $a(NNC)6310377
035 $a6310377
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dOrLoB-B
043 $ae-uk-en$an-us---
050 00 $aPG2947.B3$bP44 2008
082 00 $a801/.95$222
100 1 $aPeeren, Esther.$0http://id.loc.gov/authorities/names/n2007026374
245 10 $aIntersubjectivities and popular culture :$bBakhtin and beyond /$cEsther Peeren.
260 $aStanford :$bStanford University Press,$c2008.
300 $ax, 282 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCultural memory in the present
504 $aIncludes bibliographical references (p. [255]-270) and index.
505 00 $tIntersubjectivities and Popular Culture: An Introduction -- $g1.$tChronotopic Identities -- $g2.$tChronotopic Belonging -- $g3.$tThe Intersubjective Eye: The Look Versus the Gaze -- $g4.$tThe Intersubjective Voice: Dialogism and the Cultural Addressee -- $g5.$tResignifications: Accents and Speech Genres -- $g6.$tIdentities in Translation -- $g7.$tTerritories of Identity -- $g8.$tVersioning Identities.
520 1 $a"Peeren's book brings the work of Russian literary theorist Mikhail Bakhtin to bear on contemporary expressions of popular culture, including the novel and television series Sex and the City, the television series Queer as Folk, the films Nell and Flawless, and London's annual Notting Hill Carnival. This selection of artifacts and events is designed to show the continuing relevance of Bakhtin's ideas for present-day literary and cultural studies, and to theorize that the construction and political assertion of gender, racial, and sexual identities is fundamentally intersubjective. With Intersubjectivities and Popular Culture, Peeren models a new approach to Bakhtin that moves away from the study of Bakhtin's sources and historical context in order to situate him in relation to current debates about identity and agency. By working through various concepts - the chronotope, performativity, the look and the gaze, the cultural addressee, accents and speech genres, translation, and territory and versioning - she demonstrates how Bakhtin's ideas are tested, transformed, and extended by their interaction with specific instances of popular culture and with the other theoretical frameworks those instances invoke."--BOOK JACKET.
600 10 $aBakhtin, M. M.$q(Mikhail Mikhaĭlovich),$d1895-1975$xCriticism and interpretation.
650 0 $aPopular culture$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2008109786
650 0 $aMotion pictures$zUnited States$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008108001
650 0 $aTelevision programs$zUnited States$xHistory.$0http://id.loc.gov/authorities/subjects/sh2010116060
650 0 $aCarnival$zEngland$zLondon$xHistory.
830 0 $aCultural memory in the present.$0http://id.loc.gov/authorities/names/n98020352
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0715/2007015602.html
852 00 $bglx$hPG2947.B3$iP44 2008