| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:276803669:3436 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:276803669:3436?format=raw |
LEADER: 03436cam a2200385 a 4500
001 6327026
005 20221122023105.0
008 071109t20072007miua b s001 0deng
010 $a 2007003145
020 $a9780814330173 (pbk. : alk. paper)
020 $a0814330177 (pbk. : alk. paper)
024 $a99818313280
035 $a(OCoLC)80360673
035 $a(OCoLC)ocm80360673
035 $a(DLC) 2007003145
035 $a(NNC)6327026
035 $a6327026
040 $aDLC$cDLC$dBTCTA$dBAKER$dC#P$dYDXCP$dOrLoB-B
043 $au-nz---
050 00 $aPN1993.5.N43$bN485 2007
082 00 $a791.430993$222
245 00 $aNew Zealand filmmakers /$cedited by Ian Conrich and Stuart Murray.
260 $aDetroit, Mich :$bWayne State University Press,$c[2007], ©2007.
300 $axiii, 374 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aContemporary approaches to film and television series
504 $aIncludes bibliographical references and index.
505 00 $gPt. 1.$tPioneers -- $g1.$tFree Radical: The Life and Work of Len Lye /$rRoger Horrocks -- $g2.$tA Rough Island Story: The Film Life of Rudall Charles Hayward /$rSam Edwards and Stuart Murray -- $g3.$tJohn O'Shea: A Poetics of Documentary /$rLaurence Simmons -- $g4.$tBetween the Personal and the Political: Feminist Fables in the Films of Gaylene Preston /$rEstella Tincknell -- $g5.$tImages of Dignity: The Films of Barry Barclay /$rStuart Murray -- $g6.$tLives of Their Own: Films by Merata Mita /$rGeraldene Peters -- $g7.$tRicordi! Peter Wells, Memories of a Queer Land /$rDavid Gerstner -- $gPt. 2.$tThe New Wave -- $g8.$tBetween the National and the International: The Films of Roger Donaldson /$rJames Chapman -- $g9.$tEmbodying the Commercial: Genre and Cultural Affect in the Films of Geoff Murphy /$rJonathan Rayner -- $g10.$t"Kiwi as ...": Ian Mune and Filmmaking as Cultural Expression /$rStan Jones -- $g11.$tThe Man Alone: Bruno Lawrence's Screen Performances of the Kiwi Bloke /$rAndrew Spicer -- $g12.$tWorking in Close-Up: Jennifer Ward-Lealand, Performance, and Collaborative Film Production /$rBarbara Cairns -- $g13.$tCrisis and Conflict: The Films of John Laing /$rIan Conrich -- $g14.$t"Carry Me Back": Time and Place in the Films of John Reid /$rBruce Babington -- $gPt. 3.$tVisionaries and Fantasists -- $g15.$tLeon Narbey: Art, Politics, and the Personal /$rHelen Martin -- $g16.$tMaking Strange: Journeys through the Unfamiliar in the Films of Vincent Ward /$rStephanie Rains -- $g17.$tDislocations of Home and Gender in the Films of Jane Campion /$rEva Rueschmann -- $g18.$tExperiments with Desire: The Psychodynamics of Alison Maclean /$rKirsten Moana Thompson -- $g19.$tBringing It All Back Home: The Films of Peter Jackson /$rBarry Keith Grant -- $g20.$tThe Nightmare within the Everyday: The Horrific Visions of David Blyth /$rStacey Abbott.
650 0 $aMotion pictures$zNew Zealand.$0http://id.loc.gov/authorities/subjects/sh99014291
700 1 $aConrich, Ian.$0http://id.loc.gov/authorities/names/no2005005859
700 1 $aMurray, Stuart,$d1967-$0http://id.loc.gov/authorities/names/nb90088751
830 0 $aContemporary approaches to film and television series.$0http://id.loc.gov/authorities/names/n2003053483
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip079/2007003145.html
852 00 $bglx$hPN1993.5.N43$iN485 2007