MARC Record from marc_columbia

LEADER: 03406pam a22003974a 4500
001 6344499
005 20221122024228.0
008 071129s2007 nyu b 001 0 eng
010 $a 2007008730
020 $a9780521844352
020 $a0521844355
024 $a99818503551
035 $a(OCoLC)85783367
035 $a(OCoLC)ocm85783367
035 $a(DLC) 2007008730
035 $a(NNC)6344499
035 $a6344499
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dZVP$dYDXCP$dOrLoB-B
043 $ae------
050 00 $aN72.L36$bE35 2007
082 00 $a701/.17$222
100 1 $aEck, Caroline van.$0http://id.loc.gov/authorities/names/n86008879
245 10 $aClassical rhetoric and the visual arts in early modern Europe /$cCaroline van Eck.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2007.
300 $axii, 225 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 206-216) and index.
505 00 $tIntroduction: Rhetoric and Visuality -- $gPart I.$tTheory -- $g1.$tRepresentation and Persuasion in Alberti's 'de Pictura' -- $tGesture between presence and representation -- $tRhetorical concepts in De Pictura -- $tCompositio as a cardinal virtue of style -- $tPainting considered as pictorial representation -- $tPainting as persuasive representation -- $g2.$tThe Foundations of Persuasive Architecture -- $tArchitecture is a science -- $tArchitecture and rhetoric provide the foundations of society -- $tThe use of rhetoric in formulating treatises and articulating the design process -- $tIs architecture an art of representation? -- $gPart II.$tInvention -- $g3.$tHow to Achieve Persuasion in Painting: the Common Ground -- $tComposition and the common ground in ancient rhetoric -- $tAchieving a common ground in Renaissance painting: composition and linear perspective -- $tMoving the spectator through imaginative involvement -- $g4.$tMute Eloquence. Visual Persuasion in English Architecture of the Seventeenth and Eighteenth Centuries -- $t'Art became a piece of statecraft' -- $tStatecraft and stagecraft: constructing a classical past -- $tInigo Jones reconstructs Stonehenge -- $tSublime architecture -- $t'Architecture speaks a language of its own' -- $gPart III.$tInterpretation -- $g5.$tRhetorical Interpretation of the Visual Arts -- $tInvention and interpretation in rhetoric -- $tArt as theatre: Bartolommeo Maranta on an Annunciation by Titian -- $tVivacita, living presence and humanity -- $t'Laocoon I am' -- $g6.$tOnly the Human Can Speak to Man: Rhetorical Interpretations of Architecture -- $t'The shaddowes that signifie' -- $tTypology -- $tWalter Montague's typological defence of courtly splendour -- $tSir Christopher Wren on the Temple of Peace -- $tCharacter and style in French architectural theory of the late eighteenth century -- $tIndex: rhetorical terms.
650 0 $aArt$xLanguage.
650 0 $aPersuasion (Rhetoric)$xHistory.
650 0 $aVisual communication$zEurope$xHistory.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0712/2007008730.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0729/2007008730-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0729/2007008730-d.html
852 80 $bfax$hN6370$iEc53