MARC Record from marc_columbia

LEADER: 02215cam a22003974a 4500
001 6457181
005 20221122032725.0
008 080214s2008 enkaf b 001 0 eng
010 $a 2007037290
020 $a9780521882606 (hardback)
020 $a0521882605 (hardback)
024 $a99819305101
035 $a(OCoLC)ocn172521702
035 $a(OCoLC)172521702
035 $a(NNC)6457181
035 $a6457181
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dOCLCG$dC#P
043 $ae------
050 00 $aML240$b.W43 2008
082 00 $a780.78$222
100 1 $aWeber, William,$d1940-$0http://id.loc.gov/authorities/names/n84104449
245 14 $aThe great transformation of musical taste :$bconcert programming from Haydn to Brahms /$cWilliam Weber.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2008.
300 $axv, 334 pages, 26 unnumbered pages of plates :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 311-319) and index.
505 0 $aMiscellany and collegiality, 1750-1800 -- Concepts and contexts -- Variations on miscellany -- Crisis and experiment, 1800-1848 -- Musical idealism and the crisis of the old order -- The rise of the chamber music concert -- Convention and experiment in benefit and virtuoso concerts -- Toward classical repertory in orchestral concerts -- Promenade concerts : rise of the "pops" -- Founding a new order, 1848-1875 -- Classical music achieves hegemony -- Vocal music for the general public -- Epilogue : the state of the musical community in 1914.
650 0 $aConcerts$zEurope$xHistory$y19th century.
650 0 $aConcerts$zEurope$xHistory$y18th century.
650 0 $aMusic$xSocial aspects$xHistory$y19th century.
650 0 $aMusic$xSocial aspects$xHistory$y18th century.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0805/2007037290-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0805/2007037290-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0805/2007037290-t.html
852 00 $bmus$hML240$i.W43 2008