MARC Record from marc_columbia

LEADER: 05275cam a22003854a 4500
001 6466409
005 20221122033422.0
008 080226s2008 mauaf b 001 0 eng
010 $a 2007022246
020 $a9781405151672 (hardcover : alk. paper)
020 $a1405151676 (hardcover : alk. paper)
024 $a99819439454
035 $a(OCoLC)ocn137244784
035 $a(OCoLC)137244784
035 $a(NNC)6466409
035 $a6466409
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dBWKUK$dOrLoB-B
050 00 $aPA3009$b.C66 2008
082 00 $a880.09$222
245 02 $aA companion to classical receptions /$cedited by Lorna Hardwick and Christopher Stray.
260 $aMalden, MA ;$aOxford :$bBlackwell,$c2008.
300 $axvii, 538 pages, 2 unnumbered pages of plates :$billustrations (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aBlackwell companions to the ancient world. Literature and culture
504 $aIncludes bibliographical references (p. [482]-532) and index.
505 00 $tIntroduction: Making Connections /$rLorna Hardwick and Christopher Stray -- $gPt. I.$tReception within Antiquity and Beyond -- $g1.$tReception and Tradition /$rFelix Budelmann and Johannes Haubold -- $g2.$tThe Ancient Reception of Homer /$rBarbara Graziosi -- $g3.$tPoets on Socrates' Stage: Plato's Reception of Dramatic Art /$rChris Emlyn-Jones -- $g4.$t'Respectable in its ruins': Achaemenid Persia, Ancient and Modern /$rThomas Harrison -- $g5.$tBasil of Caesarea and Greek Tragedy /$rRuth Webb -- $gPt. II.$tTransmission, Acculturation and Critique -- $g6.$t'Our Debt to Greece and Rome': Canon, Class and Ideology /$rSeth L. Schein -- $g7.$tGladstone and the Classics /$rDavid W. Bebbington -- $g8.$tBetween Colonialism and Independence: Eric Williams and the Uses of Classics in Trinidad in the 1950s and 1960s /$rEmily Greenwood -- $g9.$tVirgilian Contexts /$rStephen Harrison -- $gPt. III.$tTranslation -- $g10.$tColonization, Closure or Creative Dialogue?: The Case of Pope's Iliad /$rDavid Hopkins -- $g11.$tTranslation at the Intersection of Traditions: The Arab Reception of the Classics /$rAhmed Etman -- $g12.$t'Enough Give in It': Translating the Classical Play /$rJ. Michael Walton -- $g13.$tLost in Translation? The Problem of (Aristophanic) Humour /$rJames Robson -- $gPt. IV.$tTheory and Practice -- $g14.$t'Making It New': Andre Gide's Rewriting of Myth /$rCashman Kerr Prince -- $g15.$t'What Difference Was Made?': Feminist Models of Reception /$rVanda Zajko -- $g16.$tHistory and Theory: Moses and Monotheism and the Historiography of the Repressed /$rMiriam Leonard -- $g17.$tPerformance Reception: Canonization and Periodization /$rPantelis Michelakis -- $gPt. V.$tPerforming Arts -- $g18.$tIphigenie en Tauride and Elektra: 'Apolline' and 'Dionysiac' Receptions of Greek Tragedy into Opera /$rMichael Ewans -- $g19.$tPerformance Histories /$rFiona Macintosh -- $g20.$t'Body and Mask' in Performances of Classical Drama on the Modern Stage /$rAngeliki Varakis -- $g21.$tThe Nomadic Theatre of the Societas Raffaello Sanzio: A Case of Postdramatic Reworking of (the Classical) Tragedy /$rFreddy Decreus -- $g22.$tAristophanes between Israelis and Palestinians /$rNurit Yaari -- $gPt. VI.$tFilm -- $g23.$tWorking with Film: Theories and Methodologies /$rJoanna Paul -- $g24.$tThe Odyssey from Homer to NBC: The Cyclops and the Gods /$rHanna M. Roisman -- $g25.$tA New Hope: Film as a Teaching Tool for the Classics /$rMarianne McDonald -- $gPt. VII.$tCultural Politics -- $g26.$tPossessing Rome: The Politics of Ruins in Roma capitale /$rCatharine Edwards -- $g27.$t'You unleash the tempest of tragedy': the 1903 Athenian Production of Aeschylus' Oresteia /$rGonda van Steen -- $g28.$tMulticultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first centuries /$rBetine van Zyl Smit -- $g29.$tPutting the Class into Classical Reception /$rEdith Hall -- $gPt. VIII.$tChanging Contexts -- $g30.$tReframing the Homeric: Images of the Odyssey in the Art of Derek Walcott and Romare Bearden /$rGregson Davis -- $g31.$t'Plato's Stepchildren': SF and the Classics /$rSarah Annes Brown -- $g32.$tAristotle's Ethics, Old and New /$rRosalind Hursthouse -- $g33.$tClassicizing Bodies in the Male Photographic Tradition /$rBryan E. Burns -- $g34.$tHomer in British World War One Poetry /$rElizabeth Vandiver -- $gPt. IX.$tReflection and Critique -- $g35.$tReception Studies: Future Prospects /$rJames I. Porter.
650 0 $aClassical literature$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008100686
700 1 $aHardwick, Lorna.$0http://id.loc.gov/authorities/names/n86030326
700 1 $aStray, Christopher.$0http://id.loc.gov/authorities/names/n94000752
830 0 $aBlackwell companions to the ancient world.$pLiterature and culture.$0http://id.loc.gov/authorities/names/n2004036364
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0719/2007022246.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0805/2007022246-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0805/2007022246-d.html
852 00 $bglx$hPA3009$i.C66 2008