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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-013.mrc:346947533:7429
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:346947533:7429?format=raw

LEADER: 07429cam a22003974a 4500
001 6476930
005 20221122034418.0
008 070403t20072007nyua 000 0 eng
010 $a 2007062001
020 $a9780061374562
020 $a0061374563
024 $a99819538104
035 $a(DLC) 2007062001
035 $a(NNC)6476930
035 $a(OCoLC)123119895
035 $a6476930
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dOrLoB-B
043 $an-us---
050 00 $aML3534$b.M4319 2007
082 00 $a781.66$222
100 1 $aMatheu, Robert.$0http://id.loc.gov/authorities/names/n2007024533
245 10 $aCreem :$bAmerica's only rock 'n' roll magazine /$c[Robert Matheu, Brian J. Bowe].
250 $a1st ed.
260 $aNew York :$bCollins,$c[2007], ©2007.
300 $a271 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aStatement of responsibility from cover.
500 $aA collection of pieces from Creem magazine, with photographs of rock's pioneers.
505 00 $tForeword: Up Close and Personal /$rPaul Trynka -- $tIntroduction: Let It Creem /$rBrian J. Bowe -- $tCream: Au Revoir /$rTony Reay -- $tMc5: Welcome to Detroit /$rPam Brent, John Sinclair and Dave Marsh -- $tPaul Mccartney: The Walrus Was Paul? /$rDeday LaRene -- $tGrand Funk Railroad . . . Or the Great Train Robbery /$rDebbie Burr -- $tThe Michigan Scene Today! /$rDave Marsh, Deday LaRene and Barry Kramer -- $tJoe Cocker: Mad Dogs and Englishmen /$rDave Marsh -- $tA Creem Founding Father Remembers /$rRic Siegel -- $tTodd Rundgren: Creem's Profiles -- $tMitch Ryder and the Detroit Wheels: Wheels on the Road /$rBarry Kramer -- $tJ. Geils Band: Creem's Profiles -- $tJ. Geils Band: Beantown Get-Down /$rBen Edmonds -- $tSteve Marriott: Creem's Profiles -- $tKiss: Creem's Profiles -- $tA Creem Editor Remembers /$rDave DiMartino -- $tPsychotic Reactions and Carburetor Dung /$rLester Bangs -- $tRoxy Music: Creem's Profiles -- $tThe Who: A Who Primer /$rDave Marsh -- $tAlice Cooper's Alcohol Cookbook -- $tFree John and Yoko -- $tMott the Hoople: Diary of a Rock Star /$rIan Hunter -- $tDave Edmunds: Creem's Profiles -- $tCheech & Chong: Creem's Profiles -- $tA Creem Dreem Remembers /$rBebe Buell -- $tRod Stewart: Creem's Profiles -- $tT.Rex: "What They Tried to Do With Bowie Was Create Another Marc Bolan" /$rCameron Crowe -- $tScreamin' Jay Hawkins: The "I Put a Spell on You" Man Reveals Why Voodoo Didn't - & May Never Work /$rNick Tosches -- $tThe Cars: Creem's Profiles -- $tAndrogyny in Rock: A Short Introduction (Plus the Androgyny Hall of Fame) -- $tIggy and the Stooges: Take America by the Spleen /$rEsther and Lester -- $tNew York Dolls: Greatest Hits Volume 1 /$rBen Edmonds -- $tJukebox Cruci-Fix /$rPatti Smith -- $tFaces: Rod Jumps Teams /$rBarbara Charone -- $tFaces: Faces Huddle for Defensive Play /$rLester Bangs -- $tGrace Slick: Creem's Profiles -- $tKiss: Reviews and Comix, Plus Unmasked! Exclusive Expose -- $tThe Rolling Stones: Jaggernaut Wild Horse on a Plastic Phallus /$rCharles Bukowski -- $tAlbum Review: The Rolling Stones - Exile on Main Street /$rLester Bangs -- $tThe Rolling Stones: Keith Richards - The Pusher Behind the Stones /$rBarbara Charone -- $tAlbum Review: Ramones - Ramones /$rGene Sculatti -- $tRamones: Creem's Profiles -- $tAerosmith: Train Kept A-Rollin' /$rLisa Robinson -- $tLed Zeppelin: One More for the Road /$rJaan Uhelszki -- $tRunaways: These Bitches Suck and Rebuttal -- $tKeith Richards: Creem's Profiles -- $tInside William S. Burroughs /$rJeffrey Morgan -- $tAnother Creem Editor Remembers /$rJeffrey Morgan -- $tRed Kross: Creem's Profiles -- $tSex Pistols: In the Promised Land /$rPatrick Goldstein -- $tDead Boys: Tell No Tales /$rRichard Riegel -- $tThe Clash: Rash Clash Mash in Motor City Bash /$rDave DiMartino -- $tThe Clash: Creem's Profiles -- $tA Creem Editor Remembers /$rIvan Suvanjieff -- $tIggy Pop: Soldier of the Dog Chow Apocalypse /$rMark J. Norton -- $tAngus Young: Creem's Profiles -- $tBob Seger: Bops Horizontally /$rDave DiMartino -- $tPretenders: Chrissie Don't Ya Talk So Loud /$rSusan Whitall -- $tThe Damned: How (Not) to Shoot a Creem Profile /$rRobert Matheu -- $tQueen: The Secret History of Queen /$rRick Johnson -- $tPlasmatics: 1984 Willbe a Little Early /$rEdouard Dauphin -- $tBlondie: Creem's Profiles -- $tCheap Trick: Creem's Profiles -- $tBruce Springsteen: Takes It to the River /$rDave DiMartino -- $tBob Dylan: More of an Outlaw Than You Ever Were? /$rRichard Reigel -- $tDevo: Creem's Profiles -- $tDuran Duran: Oh! You Pretty Things from Planet Earth /$rToby Goldstein -- $tThe Kinks: A Sad Kommentary /$rJohn Mendelssohn -- $tJohn Cougar: Pink Houses in the Midwest /$rBill Holdship -- $tGo-Go's: Creem's Profiles -- $tDuets from Hell!: One Times One Equals Some Pair! /$rRick Johnson -- $tPink Floyd: Can I Have My Money Back? /$rDave DiMartino -- $tDavid Lee Roth: And the Gleeby Shall Rock /$rBilly Altman -- $tJudas Priest: Leathered, Studded Dudes Or /$rSylvie Simmons -- $tReplacements: Drinking (And Drinking Lots More) With the Replacements /$rBill Holdship -- $tReplacements: Creem's Profiles -- $tThe Cure: The Head on the Cure /$rDave DiMartino -- $tBeastie Boys: Lay It Down, Clowns /$rChuck Eddy -- $tYet Another Creem Editor Remembers /$rBill Holdship -- $tThe George Harrison Interview /$rJ. Kordosh -- $tRed Hot Chili Peppers: Creem's Profiles -- $tWas (Not Was): Creem's Profiles -- $tJohnny Cash: A Little Farther ... Down the Line /$rJ. Kordosh -- $tFirehose: If'n You Don't Know by Now /$rSteve Peters -- $tOutro: Every Picture Tells a Story and I'm Sticking to Mine /$rRobert Matheu.
520 1 $a"With photographs of rock's greatest stars and prose by rock journalists who were stars in their own right, CREEM magazine stood at the forefront of youth counterculture from 1969 to 1988 as "America's Only Rock 'n' Roll Magazine." A product of Detroit's revolutionary counterculture, CREEM cultivated an gifted staff of iconoclastic scribes, editors, photographers, and graphic artists whose work continues to resonate today, including: Lester Bangs, Dave Marsh, Richard Meltzer, Nick Tosches, and a not-so-famous Cameron Crowe. They invented a raucous new form of journalism, where the writing and photographs were as much an expression of rock 'n' roll as the music itself. CREEM embraced and abused the best and the worst of the era: MC5, Led Zeppelin, the Rolling Stones, the Faces, Lou Reed,the Stooges,T.Rex, Kiss, Mott the Hoople, the Who, the NewYork Dolls, Bob Seger, Ted Nugent, Aerosmith, the Ramones, Cheap Trick, the Clash, and Van Halen, among many others." "Now the Mouth of the Motor City presents a retrospective of the beautiful haze that was rock's golden age - from the end of the hippie days through glam and punk and into '80s metal. Featuring the best of the magazine's vast archives of photos, illustrations, and articles, CREEM is the authentic rock 'n' roll experience - written for fanatics by fanatics."--BOOK JACKET.
630 00 $aCreem (New York, N.Y.)$0http://id.loc.gov/authorities/names/n2007025353
650 0 $aRock music$xPeriodicals$xHistory.
650 0 $aRock music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008110977
700 1 $aBowe, Brian J.$0http://id.loc.gov/authorities/names/n2007024535
852 00 $bmus$hML3534$i.M4319 2007