Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:360548620:1920 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:360548620:1920?format=raw |
LEADER: 01920cam a22003494a 4500
001 6497199
005 20221122035647.0
008 070614t20082008njua bq 001 0 eng
010 $a 2007024986
020 $a9780813542799 (hardcover : alk. paper)
020 $a0813542790 (hardcover : alk. paper)
020 $a9780813542805 (pbk. : alk. paper)
020 $a0813542804 (pbk. : alk. paper)
035 $a(OCoLC)ocn152580650
035 $a(OCoLC)ocm152580650
035 $a(OCoLC)152580650
035 $a(NNC)6497199
035 $a6497199
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP$dOrLoB-B
050 00 $aGV1779$b.M35 2008
082 00 $a792.8$222
100 1 $aMcLean, Adrienne L.$0http://id.loc.gov/authorities/names/n97878731
245 10 $aDying swans and madmen :$bballet, the body, and narrative cinema /$cAdrienne L. McLean.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$c[2008], ©2008.
300 $axi, 304 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 259-290), filmography (p. 291-296), and index.
505 00 $tIntroduction: Ballet in Tin Cans -- $g1.$tAChannel for Progress: Theatrical Dance, Popular Culture, and (The) American Ballet -- $g2.$tThe Lot of a Ballerina Is Indeed Tough: Gender, Genre, and the Ballet Film through 1947, Part I -- $g3.$tThe Man Was Mad - But a Genius!: Gender, Genre, and the Ballet Film through 1947, Part II -- $g4.$tIf You Can Disregard the Plot: The Red Shoes in an American Context -- $g5.$tThe Second Act Will Be Quite Different: Cinema, Culture, and Ballet in the 1950s -- $g6.$tTurning Points: Ballet and Its Bodies in the "Post-Studio" Era.
650 0 $aBallet in motion pictures, television, etc.$0http://id.loc.gov/authorities/subjects/sh85011291
852 00 $bglx$hGV1779$i.M35 2008
852 00 $bbar$hGV1779$i.M35 2008