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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-013.mrc:63894523:2574
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:63894523:2574?format=raw

LEADER: 02574pam a22003974a 4500
001 6067929
005 20221121233319.0
008 060821t20072007maua b 001 0 eng
010 $a 2006051350
015 $aGBA6A5716$2bnb
016 7 $a013629057$2Uk
020 $a0262134772 (alk. paper)
020 $a9780262134774 (alk. paper)
024 3 $a9780262134774
035 $a(OCoLC)OCM71210379
035 $a(OCoLC)71210379
035 $a(NNC)6067929
035 $a6067929
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dOrLoB-B
043 $ae-fr---
050 00 $aDC415$b.M34 2007
082 00 $a944.082$222
100 1 $aMcDonough, Tom,$d1969-$0http://id.loc.gov/authorities/names/no2006080916
245 15 $a"The beautiful language of my century" :$breinventing the language of contestation in postwar France, 1945-1968 /$cTom McDonough.
260 $aCambridge, Mass. :$bMIT Press,$c[2007], ©2007.
300 $a273 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"An October books."́
504 $aIncludes bibliographical references (p. [209]-261) and index.
505 00 $g1.$tThe language of negation -- $g2.$t1961 : Algeria and the politics of Decollage -- $g3.$tThe reciprocal readymade, or, art on the barricades -- $g4.$tKilling property : on festival and revolutionary nihilism -- $g5.$tNo ghost.
520 1 $a""The Beautiful Language of My Century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today." "McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of detournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France dechiree"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fete as a Rabelaisian and revolutionary upwelling of everything that is low."--BOOK JACKET.
651 0 $aFrance$xIntellectual life$y20th century.$0http://id.loc.gov/authorities/subjects/sh85051442
651 0 $aFrance$xCultural policy$y20th century.
651 0 $aFrance$xPolitics and government$y1945-$0http://id.loc.gov/authorities/subjects/sh85051488
852 00 $bglx$hDC415$i.M34 2007