Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:104859084:5717 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:104859084:5717?format=raw |
LEADER: 05717cam a2200385 a 4500
001 6886827
005 20221122055839.0
008 071127t20082008deua b 001 0 eng
010 $a 2007048267
020 $a9780874139891 (alk. paper)
020 $a0874139899 (alk. paper)
024 $a40015824146
035 $a(OCoLC)ocn182573614
035 $a(OCoLC)182573614
035 $a(NNC)6886827
035 $a6886827
040 $aDLC$cDLC$dOCLCG$dBAKER$dBTCTA$dYDXCP$dNhCcYBP$dOrLoB-B
050 00 $aPR2976$b.I57 2006
082 00 $a822.3/3$222
110 2 $aInternational Shakespeare Association.$bWorld Congress$n(8th :$d2006 :$cBrisbane, Qld.)
245 10 $aShakespeare's world/world Shakespeares :$bthe selected proceedings of the International Shakespeare Association World Congress, Brisbane, 2006 /$cedited by Richard Fotheringham, Christa Jansohn, and R.S. White.
260 $aNewark :$bUniversity of Delware Press,$c[2008], ©2008.
300 $a436 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rJill L. Levenson -- $tPrologue: Between Tyranny and Freedom: A Brief Voyage with the Bard /$rAnwar Ibrahim -- $gPt. I.$tShakespeare's World -- $t"The little dogs and all": Ceremony, Nakedness, Shame, and the Deconsecration of Kingship in King Lear /$rMichael Neill -- $t"a dim farre of launce-skippe": The Ethics of Shakespeare's Landscapes /$rRuth Morse -- $tShakespeare and the Invention of Landscape: The View from Dover Cliff /$rMichael Hattaway -- $tWhat Lies Beneath /$rLisa Hopkins -- $tEarly Modern Dietaries and the Jews: The Merchant of Venice and The Jew of Malta /$rJoan Fitzpatrick -- $tThe Merchant of Venice and Pressured Conversions in Shakespeare's World /$rMarianne Novy -- $tShylock the Old Clothes Man: Victorian Burlesques of The Merchant of Venice /$rMichael Shapiro -- $tShakespeare in the Jewish Cultural Association of Berlin during the Third Reich 1933-41 /$rZoltan Markus -- $tThe Private Life of Public Plays /$rLena Cowen Orlin -- $gPt. II.$tChildren's Shakespeare -- $tSchool of the Globe: Shakespeare for Children, and Me /$rSophie Masson -- $tPreaching to the Unconverted: Staging Shakespeare for Children in the Low Countries /$rPaul J. C. M. Franssen -- $gPt. III.$tCinema: A New Shakespeare -- $tTheater on Film and Film on Theater in Hamlet /$rDeborah Cartmell -- $tSpectacle and Shakespeare on Film /$rYong Li Lan -- $tAki Kaurismaki's Hamlet Goes Business: A Socialist Shakespearean Film Noir Comedy /$rMelissa Croteau -- $gPt. IV.$tWorld Shakespeares Today -- $tThe Commitment to Shakespeare or What are We Celebrating Today? /$rAnia Loomba -- $tThe Absence of Caliban: Shakespeare and Colonial Modernity /$rSupriya Chaudhuri -- $tQuoting Hamlet outside Britain in the Eighteenth Century /$rSayre Greenfield -- $tNew Intercultural Shakespeares in East Asia /$rKobayashi Kaori -- $tShakespeare Studies and Hamlet in Korea /$rDong-wook Kim -- $tDialectical Progress of Femininity in Korean Shakespeare since 1990 /$rHyon-u Lee -- $tThe "Cooking Stove" vs. the "Chinese Takeaway": The Intercultural Representation of Shakespeare on the Hong Kong Stage /$rDorothy Wong -- $tConflicts and Compromises between a Shakespearean Hamlet and a Chinese Prince: Three Chinese Operatic Adaptations /$rLi Ruru -- $tRewriting Shakespeare in a Japanese Context for the Page and the Stage /$rYoshiko Kawachi -- $tOthello's Ghostly Remainders: Trauma and (Post)Colonial "Disease" in Tayeb Salih's Season of Migration to the North /$rMaurizio Calbi -- $tIdeological Appropriation and Sexual Politics: Shakespeare's Antony and Cleopatra and Ahmed Shawky's Masra' Cleopatra /$rRafik Darragi -- $t"Thou art a strange fellow": Dissonance and Discordance in Intercultural Shakespeares /$rMarcus Cheng Chye Tan -- $t"Through Shakespeare's Africa": "terror and murder"? /$rNatasha Distiller -- $tEpilogue: "Author, Author!" /$rDavid Malouf -- $gApp. A.$tComplete List of Papers from the Program of the Conference -- $gApp. B.$tSeminars, with Their Leaders and Registered Participants.
520 1 $a"Shakespeare's World/World Shakespeares was the theme of the Eighth World Shakespeare Congress held in Brisbane, Australia, in July 2006, where many of the world's major scholars examined how Shakespeare's plays and poems have shifted meaning and are understood differently as they endure across time and appear in different places, cultures, and forms. This collection, selected and revised from papers given at that conference, charts the extraordinary diversity and richness of Shakespeare studies today and offers new insights into the Bard's own times and through time to our own era." "Almost half of the twenty-nine chapters document the extraordinary rise of global Shakespeare as his characters and stories have been appropriated and retold in societies as various as Australia, Belgium, Japan, Korea, Hong Kong, China, Taiwan, Singapore, Sudan, Egypt, and South Africa, on film as well as on stage, for children as well as adults."--BOOK JACKET.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation$vCongresses.$0http://id.loc.gov/authorities/subjects/sh85120927
600 10 $aShakespeare, William,$d1564-1616$xAppreciation$zForeign countries$vCongresses.
600 10 $aShakespeare, William,$d1564-1616$xInfluence$vCongresses.
700 1 $aFotheringham, Richard.$0http://id.loc.gov/authorities/names/n78007573
700 1 $aJansohn, Christa.$0http://id.loc.gov/authorities/names/n92040807
700 1 $aWhite, R. S.,$d1948-$0http://id.loc.gov/authorities/names/n84105320
852 00 $bglx$hPR2976$i.I57 2006