| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:125259600:3404 |
| Source | marc_columbia |
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LEADER: 03404cam a22004574a 4500
001 6911458
005 20221130191125.0
008 080129t20082008caua bc 001 0 eng
010 $a 2008004444
015 $aGBA878235$2bnb
016 7 $a014647279$2Uk
020 $a9780892369317 (hardcover)
020 $a0892369310 (hardcover)
020 $a9780892369324 (pbk.)
020 $a0892369329 (pbk.)
035 $a(OCoLC)ocn191763342
035 $a(OCoLC)191763342
035 $a(NNC)6911458
035 $a6911458
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dOCLCG$dC#P$dBWX$dCDX$dOrLoB-B
043 $ae-it---
050 00 $aNB623.B5$bA4 2008
082 00 $a730.92$222
245 00 $aBernini and the birth of Baroque portrait sculpture /$cedited by Andrea Bacchi, Catherine Hess, and Jennifer Montagu, with the assistance of Anne-Lise Desmas ; with contributions by Andrea Bacchi [and others].
260 $aLos Angeles :$bJ. Paul Getty Museum ;$aOttawa :$bNational Gallery of Canada,$c[2008], ©2008.
300 $aix, 325 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aCatalog of an exhibition at the Getty Museum, Los Angeles, Aug. 5-Oct. 26, 2008, and at the National Gallery of Canada, Ottawa, Nov. 28, 2008-Mar. 8, 2009.
504 $aIncludes bibliographical references (p. 307-319) and index.
520 1 $a"Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet - surprisingly - there has never been a major North American exhibition of his work. Bernini and the Birth of Baroque Portrait Sculpture - on view from August 5 through October 26, 2008, at the J. Paul Getty Museum and from November 28, 2008, through March 8, 2009, at the National Gallery of Canada, Ottawa - showcases portrait sculptures from all phases of the artist's long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676." "Bernini's portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini's ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi." "Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that also features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome."--BOOK JACKET.
600 10 $aBernini, Gian Lorenzo,$d1598-1680$vExhibitions.
650 0 $aPortrait sculpture, Baroque$zItaly$zRome$vExhibitions.
650 0 $aPortrait sculpture, Italian$zItaly$zRome$vExhibitions.
700 1 $aBacchi, Andrea.$0http://id.loc.gov/authorities/names/nr92021888
700 1 $aHess, Catherine,$d1957-$0http://id.loc.gov/authorities/names/n88041300
700 1 $aMontagu, Jennifer.$0http://id.loc.gov/authorities/names/n85223971
700 1 $aDesmas, Anne-Lise.$0http://id.loc.gov/authorities/names/no2003001744
710 2 $aJ. Paul Getty Museum.$0http://id.loc.gov/authorities/names/n79046211
710 2 $aNational Gallery of Canada.$0http://id.loc.gov/authorities/names/n79043161
852 80 $bfax$hNB623 B45$iB45333