MARC Record from marc_columbia

LEADER: 12541cam a22003614a 4500
001 6948166
005 20221130194322.0
008 080530t20082008nyu 000 0deng
010 $a 2008024392
020 $a9780375421228
020 $a037542122X
024 $a99932166690
035 $a(OCoLC)ocn192080566
035 $a(OCoLC)192080566
035 $a(NNC)6948166
035 $a6948166
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dABG$dZJS$dOrLoB-B
050 00 $aGV1600$b.R43 2008
082 00 $a792.8$222
245 00 $aReading dance :$ba gathering of memoirs, reportage, criticism, profiles, interviews, and some uncategorizable extras /$cedited and with an introduction by Robert Gottlieb.
250 $a1st ed.
260 $aNew York :$bPantheon Books,$c[2008], ©2008.
300 $axxix. 1330 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tFrederick Ashton --$tLetter to Alary Clarke /$rGeorge Balanchine --$tNotes on Choreography /$rFrederick Ashton --$tFrederick Ashton and His Ballets /$rClive Barnes --$tEnigma Variations /$rMindy Aloff --$tAshton Now /$rDavid Vaughan --$tAshton Ballets --$tEnigma Variations /$rNancy Goldner --$tLa Fille Mal Gardee /$rNancy Goldner --$tAshton's Romeo: A Wise Virgin /$rJoan Acocella --$tSymphonic Variations /$rJulie Kavanagh --$tFred Astaire --$tBeginnings /$rFred Astaire --$tGinger's Dress /$rFred Astaire --$tThe Dress /$rGinger Rogers --$tNotes on La Belle, La Perfectly Swell, Romance /$rArlene Croce --$tNice Work, Darling, Nice Work /$rAlastair Macaulay --$tLetter to Adele /$rFred Astaire --$tGeorge Balanchine --$tMarginal Notes on the Dance /$rGeorge Balanchine --$tConversations with Balanchine /$rW. McNeil Lowry --$tSome Thoughts About Classicism and George Balanchine /$rEdwin Denby --$tPersonal Encounters /$rB. H. Haggin --$tMeeting Balanchine /$rLincoln Kirstein --$tMy Friend George Balanchine /$rNathan Milstein --$tA Masculine Man /$rVera Zorina --$tBalanchine Ballets --$tThree Sides of Agon /$rEdwin Denby --$tFour Decades of Agon: The Pas de Deux /$rLeigh Witchel --$tBallet Imperial /$rHolly Brubach --$tChaconne /$rNancy Goldner --$tLiebeslieder Walzer /$rTobi Tobias --$tA Midsummer Night's Dream /$rAnita Finkel --$tMozartiana /$rArlene Croce --$tRobert Schumann's "Davidsbundlertanze" /$rClaudia Roth Pierpont --$tLa Valse /$rNancy Reynolds --$tWho Cares? /$rArlene Croce --$tBalanchine Lost Ballets --$tCotillon /$rA. V. Coton --$tThe Figure in the Carpet /$rRosanne Klass --$tOpus 34 /$rEdwin Denby --$tBalanchine Dancers --$tRobert Greskovic /$rDarci Kistler --$tRobert Greskovic /$rPatricia McBride --$tRobert Greskovic /$rPeter Martins --$tClaudia Roth Pierpont /$rKyra Nichols --$tB. H. Haggin /$rViolette Verdy --$tArlene Croce /$rEdward Villella --$tMikhail Baryshnikov --$tThe Soloist /$rJoan Acocella --$tDefection /$rJohn Fraser --$tLe Mystere Baryshnikov /$rArlene Croce --$tBaryshnikov Dancing Judson /$rJill Johnston --$tGiselle /$rMikhail Baryshnikov --$tAugust Bournonville --$tMyself /$rAugust Bournonville --$tLa Sylphide /$rMikhail Baryshnikov --$tA Folk Tale /$rTobi Tobias --$tThe Guards of Amager /$rNancy Goldner --$tChoreographic Creed /$rAugust Bournonville --$tCommentary --$tLa Bayadere /$rPeter Anastos --$tCostumes by Karinska /$rToni Bentley --$tEdwin Denby /$rArlene Croce --$tGelsey Kirkland: The Judy Garland of Ballet /$rHarris Green --$tUlanova - A Tribute /$rArnold L. Haskell --$tBallet in a Bad Time /$rLincoln Kirstein --$tThe Audience /$rP. W. Manchester --$tDancer and the Dance /$rSusan Sontag --$tAt the Ballet /$rKonstantin Stanislavsky --$tThree Essays on Dancing /$rJames Waring --$tCritical Voices --$tL'Allegro, il Penseroso ed il Moderato /$rJoan Acocella --$tPetrouchka /$rCyril Beaumont --$tLilac Garden /$rChristopher Caines --$tGenie's Cool Charm /$rH. T. Parker --$tThrow Tolstoy from the Train: Boris Eifman /$rNancy Dalva --$tAgainst Meaning in Ballet /$rEdwin Denby --$tSuperficial Thoughts on Foreign Classicism /$rEdwin Denby --$tThe Rockettes and Rhythm /$rEdwin Denby --$tAlvin Ailey /$rNancy Goldner --$tMaurice Bejart /$rNancy Goldner --$tThe Bolshoi /$rNancy Goldner --$tTime Tunnel: Jose Limon /$rJill Johnston --$tCharlotte Moorman: Over His Dead Body /$rJill Johnston --$tSteve Paxton: Tornado in a Teacup /$rJill Johnston --$tThe Significance of the Dance /$rAndre Levinson --$tThe Spirit of the Classic Dance /$rAndre Levinson --$tArgentina /$rAndre Levinson --$tSex, Violence, and Kenneth MacMillan /$rAlastair Macaulay --$tTrisha Brown: Dancing Through the Language Barrier /$rMarcia B. Siegel --$tMauve Punk: Karole Armitage /$rMarcia B. Siegel --$tComforts of Hell: Bill Irwin /$rMarcia B. Siegel --$tExhibit A and Possibly B: Meredith Monk /$rMarcia B. Siegel --$tBallet on Ice /$rWalter Terry --$tThe Nutcracker: Magic /$rWalter Terry --$tClytemnestra /$rWalter Terry --$tMathilde Kschessinska /$rAkim Volynsky --$tOlga Preobrajenska /$rAkim Volynsky --$tLida Ivanovo /$rAkim Volynsky --$tOlga Spessivtseva /$rAkim Volynsky --$tMerce Cunningham --$tMerce /$rNancy Dalva --$tThe Dancer and the Dance /$rMerce Cunningham and Jacqueline Lesschaeve --$tAt the Theater de Lys /$rCarolyn Brown --$tPale Horse, Pale Rider /$rTerry Teachout --$tSergei Diaghilev --$tSergei Diaghilev /$rArnold L. Haskell --$tComing Home /$rLynn Garafola --$tDiaghilev and Music /$rNicolas Nabokov --$tAuditioning for Diaghilev /$rVernon Duke --$tIsadora Duncan --$tIn Russia /$rIsadora Duncan --$tHow I Met Isadora /$rMary Desti --$tIsadora's Death /$rMary Desti --$tIsadora /$rJanet Flanner --$tIsadora Duncan: In Memoriam /$rAndre Levinson --$tFree Spirit /$rRobert Gottlieb --$tSuzanne Farrell --$tAudition /$rSuzanne Farrell --$tA Conversation with Suzanne Farrell /$rDavid Daniel --$tA Conversation with Diana Adams /$rDavid Daniel --$tSuzanne Farrell /$rRobert Greskovic --$tFirst Person --$tFirst Designs /$rCecil Beaton --$tDancing with Vernon /$rIrene Castle --$tEscape from Holland /$rNinette de Valois --$tLes Sylphides /$rMichel Fokine --$tDancing for Twyla /$rAlma Guillermoprieto --$tEarly Days /$rTamara Karsavina --$tDebut /$rAllegra Kent --$tLa Sonnamhula /$rAllegra Kent --$tTsarevitch /$rMathilde Kschessinska --$tDiaghilev /$rSerge Lifar --$tGoebbels /$rSerge Lifar --$tEast Fifty-ninth Street: The Birthplace /$rJose Limon --$tSwan Lake /$rNatalia Makarova --$tCrisis /$rAlicia Markova --$tThe End of Denishawn /$rBarton Mumaw --$tOpening Night /$rBronislava Nijinska --$tLa Chatte /$rAlice Nikitina --$tA Dancer's Childhood /$rMarius Petipa --$tThe Thaw /$rMaya Plisetskaya --$tThe Renoirs Go to the Ballet /$rJean Renoir --$tEgypta /$rRuth St. Denis --$tDancing with Nijinska /$rMargaret Severn --$tMargot Fonteyn --$tSnowflake to Superstar /$rDale Harris --$tRudolf /$rMargot Fonteyn --$tThe Art of Pleasing /$rRobert Gottlieb --$tMargot Fonteyn /$rDavid Daniel --$tMartha Graham --$tMartha Graham /$rKenneth Tynan --$tA Chat with Martha Graham /$rDon McDonagh --$tMartha /$rDorothy Bird --$tA Conversation with May O'Donnell /$rTobi Tobias --$tPrimitive Mysteries /$rNancy Goldner --$tDance Goddess with Feet of Clay /$rDale Harris --$tGraham Crackers /$rRenee E. D'Aoust --$tHistorical --$tThe Ballet Club /$rMary Clarke --$tLetter to Heine /$rTheophile Gautier --$tMaria Theresa: Isadora's Last Dancing Daughter /$rDeborah Jowitt --$tSalome /$rElizabeth Kendall --$tInterviews --$tBarbara Newman /$rTanaquil LeClercq --$tRobert Gottlieb /$rAllegra Kent --$tJoan Acocella /$rMark Morris on Mozart Dances --$tBarbara Newman /$rAntoinette Sibley --$tFrancis Mason /$rMartha Swope --$tFrancis Mason /$rTamara Toumanova --$tLeonide Massine --$tMeeting Diaghilev /$rLeonide Massine --$tMassine /$rAlexandra Danilova --$tInterviewing Massine /$rJohn Drummond --$tMovies --$tCleopatra /$rAgnes de Mille --$tLimelight /$rMelissa Hayden --$tThe Turning Point /$rPauline Kael --$tDisney's Dances /$rAlastair Macaulay --$tInterview with John Kobal /$rEleanor Powell --$tThe Red Shoes /$rMichael Powell --$tSingin' in the Rain /$rDebbie Reynolds --$tVaslav Nijinsky --$tNijinsky /$rLincoln Kirstein --$tLe Sacre du Printemps /$rJacques Riviere --$tNotes on Nijinsky Photographs /$rEdwin Denby --$tWorking on Sacre /$rMarie Rambert --$tNijinsky and Til Eulenspiegel /$rRobert Edmond Jones --$tThe Strangeness of Til /$rH. T. Parker --$tNijinsky's Last Days in the Theatre /$rAndre Oliveroff --$tThe Specter of Nijinsky /$rNicolas Nabokov --$tA God Twice Buried /$rRichard Buckle --$tRudolf Nureyev --$tSome of My Memories /$rLiuba Myasnikova --$tA Celestial Accident /$rJulie Kavanagh --$tNureyev Remembered /$rAlastair Macaulay --$tObituaries --$tArlene Croce /$rGeorge Balanchine --$tMindy Aloff /$rHoni Coles --$tJanet Flanner /$rLa Goulue --$tChristopher Caines /$rHanya Holm --$tWalter Terry /$rRuth St. Denis --$tAnna Pavlova --$tAnna Pavlova /$rKeith Money --
505 80 $tAnna Pavlova /$rAkim Volynsky --$tThe Genius of Pavlova /$rWalford Hyden --$tPavlova /$rSol Hurok --$tPavlova at the Met /$rCarl Van Vechten --$tRussian Ballet in Tokyo /$rRyunosuke Akutagawa --$tPresent at The Creation --$tApollo /$rAlexandra Danilova --$tBallets 1933 /$rDiana Gould Menuhin --$tClytemnestra /$rPaul Taylor --$tFirebird /$rMaria Tallchief --$tA Midsummer Night's Dream /$rEdward Villella --$tThe Moor's Pavane /$rPauline Koner --$tParade /$rArthur Gold and Robert Fizdale --$tPetrouchka /$rAlexandre Benois --$tPillar of Fire /$rSono Osato --$tPrimitive Mysteries /$rDorothy Bird --$tLe Sacre du Printemps /$rLydia Sokolova --$tSerenade /$rRuthanna Boris --$tProfiles --$tColonel de Basil /$rSol Hurok --$tThe Marquis de Cuevas /$rAgnes de Mills --$tNinette de Valois /$rRichard Buckle --$tSenta Driver: Stomping Out a Niche for Herself /$rDeborah Jowitt --$tBob Fosse: Dancing and the Dark /$rJoan Acocella --$tLincoln Kirstein /$rRichard Buckle --$tNicolas Legat /$rAlan Carter --$tCarmelita Maracci /$rAgnes de Mille --$tAlicia Markova /$rAgnes de Mille --$tOlga Spessivtseva /$rAnton Dolin --$tMary Wigman /$rSol Hurok --$tJerome Robbins --$tJerome Robbins /$rMindy Aloff --$tBringing Back Robbins's Fancy /$rTobi Tobias --$tDances at a Gathering /$rJerome Robbins and Edwin Denby --$tThe Sleeping Beauty --$tThe Sleeping Beauty /$rFrederick Ashton --$tTchaikovsky and the Ballet /$rConstant Lambert --$tThe Sleeping Beauty /$rArlene Croce --$tThe Big Sleep /$rAlastair Macaulay --$tPaul Taylor --$tPaul Taylor /$rClement Crisp --$tAureole /$rPaul Taylor --$tSunset /$rNancy Dalva --$tMoving Pictures /$rHolly Brubach --$tWhy I Make Dances /$rPaul Taylor --$tTeachers --$tClass with Balanchine /$rMerrill Ashley --$tOn Teaching /$rAlexandra Danilova --$tMy Teachers /$rMargot Fonteyn --$tNijinska /$rAllegra Kent --$tFokine /$rPauline Koner --$tBalanchine's Teaching /$rSuki Schorer --$tInterview with Barbara Newman /$rRichard Thomas --$tThe Quality of the Moment: Stanley Williams /$rTobi Tobias --$tTwyla Tharp --$tTwyla /$rNancy Dalva --$tPush Comes to Shove /$rTwyla Tharp --$tPush Comes to Shove /$rMikhail Baryshnikov --$tNine Sinatra Songs /$rNancy Goldner --$tTharp Against the Whirlwind /$rDeborah Jowitt --$tExtras --$tOn the Ballet /$rGeorge Jean Nathan --$tA Note on the Ballet /$rMax Beerbohm --$tPavlova Goes Shopping /$rGrace Curnock --$tAlec: or the Future of Choreography /$rLincoln Kirstein --$tAn Early Interview /$rPaul Taylor --$tThe Ballet Cook Book /$rTanaquil LeClercq.
520 1 $a"Robert Gottlieb's immense sampling of the dance literature - by far the largest such project ever attempted - is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading." "It limits itself to material within the experience of today's general readers, avoiding, for instance, academic historical writing and treatises on technique. Its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa." "With its huge range of content accompanied by the anthologist's incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance."--BOOK JACKET.
650 0 $aDance.$0http://id.loc.gov/authorities/subjects/sh85035659
650 0 $aDance criticism.$0http://id.loc.gov/authorities/subjects/sh85035632
700 1 $aGottlieb, Robert,$d1931-$0http://id.loc.gov/authorities/names/n96029097
852 00 $bbar$hGV1600$i.R43 2008
852 00 $bglx$hGV1600$i.R43 2008