MARC Record from marc_columbia

LEADER: 02237cam a22003734a 4500
001 6956455
005 20221130195325.0
008 080428t20092009nyua b 001 0 eng
010 $a 2008019178
020 $a9780393050240 (hardcover)
020 $a0393050246 (hardcover)
020 $a9780393337730 (paperback)
024 $a99932005200
035 $a(OCoLC)ocn226984685
035 $a(NNC)6956455
035 $a6956455
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dC#P$dOrLoB-B
050 00 $aTR267$b.R57 2009
082 00 $a775$222
100 1 $aRitchin, Fred.$0http://id.loc.gov/authorities/names/n88199267
245 10 $aAfter photography /$cFred Ritchin.
250 $a1st ed.
260 $aNew York :$bW.W. Norton,$c[2009], ©2009.
300 $a199 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 188-190) and index.
505 00 $gCh. 1.$tInto the Digital --$gCh. 2.$tOf Pixels and Paradox --$gCh. 3.$tFrom Zero to One --$gCh. 4.$tMosaic Connections --$gCh. 5.$tImage, War, Legacy --$gCh. 6.$tBeginning the Conversation --$gCh. 7.$tThe Social Photograph --$gCh. 8.$tToward a Hyperphotography --$gCh. 9.$tOf Synthetics and Cyborgs --$gCh. 10.$tA Quantum Leap.
520 1 $a"After Photography examines the myriad ways in which the digital media has fundamentally altered the way we receive visual information, from photos of news events taken by ordinary people on cell phones to the widespread use of image surveillance. Simultaneously, the increased manipulation of photographs has made photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In the tradition of John Berger and Susan Sontag, Fred Ritchin analyzes photography's failings and reveals untapped potentials for this evolving medium."--BOOK JACKET.
650 0 $aPhotography$xDigital techniques.$0http://id.loc.gov/authorities/subjects/sh90001789
650 0 $aPhotography$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh2010106287
650 0 $aDigital electronics$xSocial aspects.
852 80 $bfax$hNH60$iR53
852 00 $bjou$hTR267$i.R57 2009