Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:30945194:4749 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:30945194:4749?format=raw |
LEADER: 04749cam a2200337 a 4500
001 6624418
005 20221122043108.0
008 070911t20082008deuabf b 011 0 eng
010 $a 2007037437
020 $a9780874130119 (alk. paper)
020 $a0874130115 (alk. paper)
024 $a40015384896
035 $a(OCoLC)ocn171287685
035 $a(OCoLC)171287685
035 $a(NNC)6624418
035 $a6624418
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dOrLoB-B
050 00 $aN6450$b.T94 2008
082 00 $a709/.034$222
245 00 $aTwenty-first-century perspectives on nineteenth-century art :$bessays in honor of Gabriel P. Weisberg /$cedited by Petra ten-Doesschate Chu and Laurinda S. Dixon.
260 $aNewark :$bUniversity of Delaware Press,$c[2008], ©2008.
300 $a287 pages, 8 unnumbered pages of plates :$billustrations (some color), maps ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: New Perspectives on Nineteenth-Century Art: Views from Across a Century /$rPetra ten-Doesschate Chu and Laurinda S. Dixon -- $gPt. I.$tExhibitions -- $t"Beware Possible Intrigues Against Gold Award": Rookwood Pottery at the 1889 Exposition Universelle /$rElizabeth Fowler -- $tDeclaration of Empire: The United States National Pavilion at the Paris Exposition of 1900 /$rDiane P. Fischer -- $tReframing the Modern: National Image and Joseph Maria Olbrich's Design for the St. Louis World's Fair of 1904 /$rSarah Sik -- $gPt. II.$tMuseums and Other Art Spaces -- $tOn the Frontier: The Origins of the Minnesota Museum of American Art /$rJulie L'Enfant -- $tTransatlantic Collecting: Paris to Minneapolis /$rJanet L. Whitmore -- $tTelfair's Artist Statues: From Vienna to Savannah /$rJane Van Nimmen -- $gPt. III.$tMarketing and Collecting Art -- $tGoupil's Album: Marketing Salon Painting in the Late Nineteenth Century /$rDeCourcy E. McIntosh -- $tA Forgotten Collector Makes His Mark: William Mead Ladd and Print Collecting at the Turn of the Century /$rLisa Dickinson Michaux -- $tJulien Dupre: The Making, Unmaking, and Remaking of an Academic Reputation /$rHoward L. Rehs -- $gPt. IV.$tArtistic Practice and Collaboration -- $tJohn Ruskin and the Ethics of the Picturesque /$rFrances S. Connelly -- $tDaubigny, Courbet, and the Sluice Gate at Optevoz /$rMichael Marlais -- $tMax Ernst and J. J. Grandville /$rClive F. Getty -- $gPt. V.$tThe Decorated Environment -- $tGoya's Ambiguous Saturn /$rEdward J. Olszewski -- $tSiegfried Bing and Charles Conder: The Many Faces of "New Art" /$rPetra ten-Doesschate Chu -- $tWhistler's 1881 Venice Pastels Exhibition: An "Arrangement in Olive Green and Venetian Red" /$rDeanna Bendix -- $gPt. VI.$tChinoiserie and Japonism -- $tPower and Patronage: Empress Eugenie and the Musee chinois /$rAlison McQueen -- $tHugues Krafft's Midori-no-sato: The Art of Bringing Zen to the West /$rAnnette Leduc Beaulieu -- $tArt or Ethnography: The Histories of Some Far-Eastern Objects from the Louvre, Now in the Musee des Beaux-Arts, Brest /$rGenevieve Lacambre -- $gPt. VII.$tThe Response to Feminism -- $tMary Elizabeth Braddon: Negotiating the Business of Victorian Respectability /$rColleen Denney -- $tPaper Ladies: Locating the Nineteenth-Century Cocotte in Popular Literature and Journal Illustrations /$rElizabeth K. Mix -- $tEmmanuel Fremiet's Gorilla Carrying Off a Woman: Beauty, the Beast, and Their Contexts /$rLaurinda S. Dixon -- $gPt. VIII.$tArt and Nationalism -- $tModernism and Nationalist Architecture in Estonia /$rSteven Mansbach -- $tThe Origins of the American Memorial Tradition: The Monument to General Richard Montgomery /$rSally Webster -- $gPt. IX.$tRevisions -- $tJean-Frangois Raffaelli: A Unique Voice in the Crowd /$rPolly Sartori -- $tFernand Cormon's Cain: Epic Naturalism in Nineteenth-Century History Painting /$rChang-Ming Peng -- $gPt. X.$tModernism and Modernity -- $tThe Pre-Raphaelites, Modernism, and Fin-de-Siecle France /$rWilliam Hauptman -- $tMaximilien Luce and the Specter of Neo-Impressionism /$rAlastair Wright -- $t"As ugly a monster as has been yet produced: Buffalo's Nineteenth-Century Grain Elevators /$rFrancis R. Kowsky -- $tDawn Patrol over No Man's Land: A Note on Aviation Architecture and Design of the Great War /$rJohn Zukowsky.
650 0 $aArt, Modern$y19th century.$0http://id.loc.gov/authorities/subjects/sh85007798
700 1 $aWeisberg, Gabriel P.$0http://id.loc.gov/authorities/names/n79021037
700 1 $aChu, Petra ten-Doesschate.$0http://id.loc.gov/authorities/names/n80060675
700 1 $aDixon, Laurinda S.$0http://id.loc.gov/authorities/names/n81086518
852 80 $bfax$hN5302$iW428