| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:56055949:3571 |
| Source | marc_columbia |
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LEADER: 03571cam a22004214a 4500
001 6763327
005 20221122050212.0
008 071016t20082008pau b 001 0 eng
010 $a 2007042820
020 $a9780838757079 (alk. paper)
020 $a0838757073 (alk. paper)
024 $a40015533587
035 $a(OCoLC)ocn175218250
035 $a(OCoLC)175218250
035 $a(NNC)6763327
035 $a6763327
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
043 $an-mx---$as-ag---
050 00 $aPQ7189$b.M294 2008
082 00 $a862/.6409355$222
100 1 $aMagnarelli, Sharon,$d1946-$0http://id.loc.gov/authorities/names/n84148820
245 10 $aHome is where the (he)art is :$bthe family romance in late twentieth-century Mexican and Argentine theater /$cSharon Magnarelli.
246 3 $aHome is where the art is
260 $aLewisburg :$bBucknell University Press,$c[2008], ©2008.
300 $a293 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe Bucknell studies in Latin American literature and theory
504 $aIncludes bibliographical references (p. 277-285) and index.
505 00 $gPt. I.$tThe Family Unit(ed), or the Holy Trinity -- $g1.$tSub/In/Di-verting the Oedipus Syndrome in Luisa Josefina Hernandez's Los huespedes reales -- $g2.$tAuthoring the Scene, Playing the Role: Mothers and Daughters in Griselda Gambaro's La malasangre -- $g3.$tThe Family Romance in Escarabajos by Hugo Arguelles: Repositioning the Mirror -- $g4.$tThe Family Drama: Ambiguous Places of Seduction and Memory in Roberto Cossa's El saludador -- $g5.$tHomo sapiens? by Marcela del Rio: Who Framed the Family? -- $gPt. II.$tAfter the Great Divide -- $g6.$tFathering the Nation in Sabina Berman's Entre Villa y una mujer desnuda -- $g7.$tPerforming Motherhood: Griselda Gambaro's De profession maternal and Hugo Arguelles's La esfinge de las maravillas -- $g8.$tOf Mothers, Gauchos, Knishes, and Desire: Transculturation in Eduardo Rovner's Volvio una noche -- $g9.$tMore Mothers and Daughters in Performance: Simulacra and Commodification in Diana Raznovich's Casa Matriz.
520 1 $a"In Home Is Where The (He)art Is Sharon Magnarelli employs a variety of contemporary critical approaches to examine the dramatic works written or performed between 1956 and 1999. Focusing on plays by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, Magnarelli demonstrates how the playwrights engage with family relationships to comment on sociopolitical issues of national and international significance while simultaneously challenging dramatic conventions and theatrical representation. This study provides readings of plays that have already attracted significant critical attention. It also serves as a useful introduction to the modern theater of Mexico and Argentina for the interested non-specialist."--BOOK JACKET.
650 0 $aMexican drama$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2010101624
650 0 $aArgentine drama$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009115548
650 0 $aFamilies in literature.$0http://id.loc.gov/authorities/subjects/sh85047051
650 0 $aWomen in literature.$0http://id.loc.gov/authorities/subjects/sh85147587
830 0 $aBucknell studies in Latin American literature and theory.$0http://id.loc.gov/authorities/names/n00024790
852 00 $bglx$hPQ7189$i.M294 2008