| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:56361155:2940 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:56361155:2940?format=raw |
LEADER: 02940cam a2200349 a 4500
001 6763463
005 20221122050254.0
008 080407t20082008ncua b 001 0 eng
010 $a 2008016019
020 $a9780786433414 (softcover : alk. paper)
020 $a0786433418 (softcover : alk. paper)
024 $a40015533522
035 $a(OCoLC)ocn190850821
035 $a(OCoLC)190850821
035 $a(NNC)6763463
035 $a6763463
040 $aDLC$cDLC$dYDXCP$dBTCTA$dBAKER$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPN1993.5.U6$bB294 2008
082 00 $a791.430973$222
100 1 $aBapis, Elaine M.,$d1949-$0http://id.loc.gov/authorities/names/n2002046679
245 10 $aCamera and action :$bAmerican film as agent of social change, 1965-1975 /$cElaine M. Bapis.
260 $aJefferson, N.C. :$bMcFarland,$c[2008], ©2008.
300 $avii, 255 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 237-252) and index.
505 00 $gIntroduction.$tFor the Love of Film -- $tIndustry and Audiences -- $gI.$tAs Hollywood Turned: Expansion, Exhibition, Codes, and Directors at Mid-Decade -- $gII.$tA New Audience for the Now Movie: Film Societies, the College Campus, the American Film Institute and Making Film Art -- $tGeneration -- $gIII.$tThe Graduate: Representing a Generation -- $gIV.$tAlice's Restaurant: Constructing Hippie Folk and Legitimizing Revolutionary Distinction -- $gV.$tBack in the Saddle Again: Men, Westerns, Hippies, and Easy Rider -- $tGender -- $gVI.$tUnder the Influence: Representing Masculinity in Midnight Cowboy -- $gVII.$tNo Icon Left Unturned: M*A*S*H and the Project of Antiestablishment -- $gVIII.$tOut of the Saddle, into the Seventies: Gender in McCabe and Mrs. Miller -- $gIX.$tWhat's Sex Got to Do with It? Carnal Knowledge and the Delusion of Telling It Like It Is -- $tEthnicity -- $gX.$tForever Native: Penn's New Authentics in Little Big Man -- $gXI.$tThe Godfather Films as America -- $gConclusion.$tCinematic Anarchists Go Generic.
520 1 $a"This study examines the changes in the American film industry, audiences, and feature films between 1965 and 1975. After a contextual history of film during this era, several key films are discussed, including The Graduate, Alice's Restaurant, Easy Rider, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, Little Big Man, and The Godfather series. The author describes how these films represented a generation, constructed and deconstructed American culture, and made important contributions during ten years of great change in America."--BOOK JACKET.
650 0 $aMotion pictures$zUnited States$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008108001
650 0 $aMotion pictures$xSocial aspects$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008108003
852 00 $boff,glx$hPN1993.5.U6$iB294 2008