MARC Record from marc_columbia

LEADER: 03687cam a2200457 a 4500
001 6855686
005 20221122053514.0
008 071214s2008 nyua b 001 0 eng
010 $a 2007051303
019 $a179786438
020 $a9781571132055 (hardcover : alk. paper)
020 $a1571132058 (hardcover : alk. paper)
024 $a40015680103
035 $a(OCoLC)ocn183928739
035 $a(OCoLC)183928739$z(OCoLC)179786438
035 $a(NNC)6855686
035 $a6855686
040 $aDLC$cDLC$dBAKER$dYDXCP$dBTCTA$dUKM$dC#P$dBWX$dLHM$dCDX$dOrLoB-B
043 $ae-gx---
050 00 $aPT405$b.G334 2008
082 00 $a830.9/355$222
100 1 $aGaneva, Mila.$0http://id.loc.gov/authorities/names/no2004107497
245 10 $aWomen in Weimar fashion :$bdiscourses and displays in German culture, 1918-1933 /$cMila Ganeva.
260 $aRochester, N.Y. :$bCamden House,$c2008.
300 $axi, 240 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aScreen cultures
504 $aIncludes bibliographical references (p. [205]-226) and index.
505 00 $gIntroduction.$tOn Fashion, Women, and Modernity --$tDiscourses on Fashion --$g1.$tThe Fashion Journalist: Flaneur or New Woman? --$g2.$tFashion Journalism at Ullstein House --$g3.$tIn the Waiting Room of Literature: Helen Grund and the Practice of Fashion and Travel Writing --$tDisplays of Fashion --$g4.$tWeimar Film as Fashion Show --$g5.$tThe Mannequins --$g6.$tFashion and Fiction: Women's Modernity in Irmgard Keun's Novel Gilgi --$gApp. I.$tBiographical Information on Fashion Journalists and Fashion Illustrators --$gApp. II.$tA List of German Feature Films about Fashion from the 1910s, 1920s, and 1930s.
520 1 $a"In the Weimar Republic, fashion was not only manipulated by the various mass media - film, magazines, advertising, photography, and popular literature - but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun,. Vicki Baum, Elsa Maria Bug, and numerous others, engaged in a challenging, self-reflective commentary on current styles." "This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Flaneur, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity."--BOOK JACKET.
650 0 $aGerman literature$xWomen authors$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008105211
650 0 $aGerman literature$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008105203
650 0 $aFashion in literature.$0http://id.loc.gov/authorities/subjects/sh94004178
650 0 $aMotion pictures, German$xHistory.
650 0 $aFashion in motion pictures.$0http://id.loc.gov/authorities/subjects/sh90004888
650 0 $aFashion$zGermany$xHistory$y20th century.
650 0 $aPopular culture$zGermany$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2010107516
830 0 $aScreen cultures.$0http://id.loc.gov/authorities/names/no2008076547
852 00 $bglx$hPT405$i.G334 2008
852 00 $bbar$hPT405$i.G334 2008