It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-014.mrc:77696648:3330
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:77696648:3330?format=raw

LEADER: 03330cam a22004214a 4500
001 6855699
005 20221122053515.0
008 071022s2008 mnu b 001 0deng
010 $a 2007043882
020 $a9781557788726 (pbk. : alk. paper)
020 $a1557788723 (pbk. : alk. paper)
024 $a40015606619
035 $a(OCoLC)ocn177067986
035 $a(OCoLC)177067986
035 $a(NNC)6855699
035 $a6855699
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dOCLCG$dC#P$dOrLoB-B
043 $an-us---
050 00 $aML3195$b.J58 2008
082 00 $a781.76$222
245 00 $aJewish sacred music and Jewish identity :$bcontinuity and fragmentation /$cedited by Jonathan L. Friedmann and Brad Stetson ; featuring the notes and reflections of Cantor William Sharlin.
250 $a1st ed.
260 $aSt. Paul, Minn. :$bParagon House,$c2008.
300 $axvii, 163 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 143-158) and index.
505 00 $gIntroduction.$tCan Music Be Understood as a "Signal of Transcendence"? -- $gPt. I.$tJewish Sacred Music -- $gCh. 1.$tA Philosophy of Jewish Sacred Music -- $gCh. 2.$tCongregational Singing Past and Present -- $gPt. II.$tCantor William Sharlin: The Making of a Cantorial Mind -- $gCh. 3.$tAn Autobiographical Sketch -- $gCh. 4.$tA Conversation with Cantor William Sharlin -- $gPt. III.$tA Symphony of a Cantorial Life: The Notes and Reflections of Cantor William Sharlin -- $gCh. 5.$tSet One: Continuity and Fragmentation -- $gCh. 6.$tSet Two: Preservation and Innovation -- $gCh. 7.$tSet Three: Sacred and Secular -- $gCh. 8.$tSet Four: Past and Future.
520 1 $a"Jewish Sacred Music and Jewish Identity explores complex issues of religious pluralism and the preservation of Jewish identity in the context of American culture today, drawing on the perspective of the Cantor's office. Featured among other entries are the collected writings of Cantor William Sharlin, well-known and influential scholar, cantor, composer of synagogue music, and former professor at Hebrew Union College, Los Angeles. Now cantor emeritus at Leo Baeck Temple in Los Angeles where he has served since 1954, Cantor Sharlin is a link between the traditions of the past and the transformations of the present, and a long-time observer of music's role as both preserver and innovator of Jewish worship. The essays presented here are sure to engage readers interested in the place of music in religion, and those concerned with the state of religion in the post-modern world."--BOOK JACKET.
650 0 $aSynagogue music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85131570
600 10 $aSharlin, William.$0http://id.loc.gov/authorities/names/n79021011
650 0 $aCantors (Judaism)$zUnited States.
650 0 $aJudaism$y20th century.$0http://id.loc.gov/authorities/subjects/sh85070836
650 0 $aJews$xIdentity.$0http://id.loc.gov/authorities/subjects/sh85070419
700 1 $aFriedmann, Jonathan L.,$d1980-$0http://id.loc.gov/authorities/names/n2007076075
700 1 $aStetson, Brad.$0http://id.loc.gov/authorities/names/n92082330
700 1 $aSharlin, William.$0http://id.loc.gov/authorities/names/n79021011
852 00 $bmus$hML3195$i.J58 2008