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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-015.mrc:101769426:1549
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:101769426:1549?format=raw

LEADER: 01549cam a2200337 a 4500
001 7238642
005 20221130223044.0
008 090703t20082008gw ag b 000 0 ger
010 $a 2009496176
020 $a9783897273962 (pbk.)
020 $a3897273969 (pbk.)
035 $a(OCoLC)457798209
035 $a(OCoLC)ocn457798209
035 $a(NNC)7238642
035 $a7238642
040 $aDLC$cDLC
050 00 $aML410.L1358$bM87 2008
245 00 $aMusik als Wahrnehmungskunst :$bUntersuchungen zu Kompositionsmethodik und Hörästhetik bei Helmut Lachenmann /$cherausgegeben von Christian Utz und Clemens Gadenstätter.
260 $aSaarbrücken :$bPfau,$c[2008], ©2008.
300 $a202 pages :$billustrations, music ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMusik.theorien der Gegenwart ;$v2
500 $aConsists of a transcribed panel discussion with Lachenmann, Utz, and Gadenstätter, and papers by Utz, Gadenstätter, Markus Neuwirth, Martin Kaltenecker, Elisabeth Egger, and Dieter Kleinrath.
546 $aGerman text with English summaries.
504 $aIncludes bibliographical references.
600 10 $aLachenmann, Helmut$xCriticism and interpretation.
700 1 $aUtz, Christian.$0http://id.loc.gov/authorities/names/nr2002019504
700 1 $aGadenstätter, Clemens.$0http://id.loc.gov/authorities/names/n97111215
830 0 $aMusik.theorien der Gegenwart ;$v2.$0http://id.loc.gov/authorities/names/no2010077415
852 00 $boff,mus$hML410.L1358$iM87 2008