| Record ID | marc_columbia/Columbia-extract-20221130-015.mrc:12631194:2945 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:12631194:2945?format=raw |
LEADER: 02945cam a2200409 a 4500
001 7031773
005 20221130203706.0
008 090216t20082008caua b 001 0 eng
010 $a 2008012025
020 $a9780892368914 (hardcover)
020 $a0892368918 (hardcover)
035 $a(OCoLC)ocn214322708
035 $a(OCoLC)214322708
035 $a(NNC)7031773
035 $a7031773
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX$dIXA$dOrLoB-B
041 1 $aeng$hfre
043 $ae-fr---
050 00 $aN6848$b.B39513 2008
082 00 $a709.44/09044$222
100 1 $aBertrand Dorléac, Laurence,$d1957-$0http://id.loc.gov/authorities/names/n87860912
240 10 $aArt de la défaite, 1940-1944.$lEnglish$0http://id.loc.gov/authorities/names/n2008018549
245 10 $aArt of the defeat :$bFrance 1940-1944 /$cLaurence Bertrand Dorléac ; translated by Jane Marie Todd.
260 $aLos Angeles, Calif. :$bGetty Research Institute,$c[2008], ©2008.
300 $axiii, 431 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tForeword /$rSerge Guilbaut -- $gIntroduction.$tFalse Continuities -- $gCh. 1.$tThe Vanquisher's Eye -- $gCh. 2.$tExclude but Let Them Be -- $gCh. 3.$tThe Art of Diplomacy -- $gCh. 4.$tThe Marshal ad Infinitum -- $gCh. 5.$tEternal Return -- $gCh. 6.$tFrance -- $gCh. 7.$tThe Red and the Blue -- $gCh. 8.$tIn the Shadows.
500 $aOriginally published: L'art de la défaite, 1940-1944. Paris : Editions du Seuil, c1993.
504 $aIncludes bibliographical references (p. 409-415) and index.
520 1 $a"Art of the Defeat offers an unflinching look at the art scene in Occupied France. Beginning with Adolf Hitler's staging of the armistice at Rethondes, the book offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. Among the subjects examined are the demonization of foreigners and modernists, the looting of state museums and Jewish collections, the glorification of Philippe Petain and French national identity, and the official junket by French artists to Germany. The narrative is grounded by archival research and discussion of works by Gerard Ambroselli, Jean Bazaine, Arno Breker, Francois Cogne, Aristide Maillol, Henri Matisse, Pablo Picasso, and dozens of other artists and artisans. The sum is a pioneering expose of the deployment of art to hold darkness at bay."--BOOK JACKET.
650 0 $aArt, French$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007811
650 0 $aArt$xPolitical aspects$zFrance.
651 0 $aFrance$xHistory$yGerman occupation, 1940-1945.$0http://id.loc.gov/authorities/subjects/sh85051418
650 0 $aArtists$zFrance$xPublic opinion.
650 0 $aPublic opinion$zFrance.$0http://id.loc.gov/authorities/subjects/sh2008109624
852 80 $bfax$hN6847$iB458