MARC Record from marc_columbia

LEADER: 04082cam a22004694a 4500
001 7033208
005 20221130203848.0
008 081117t20092009nyua bc 001 0 eng
010 $a 2008049975
015 $aGBA8D8485$2bnb
016 7 $a014852006$2Uk
020 $a9781588393081 (Metropolitan Museum of Art : hc)
020 $a1588393089 (Metropolitan Museum of Art : hc)
020 $a9781588393098 (Metropolitan Museum of Art : pbk.)
020 $a1588393097 (Metropolitan Museum of Art : pbk.)
020 $a9780300148893 (Yale University Press : hc)
020 $a0300148895 (Yale University Press : hc)
035 $a(OCoLC)ocn262432284
035 $a(NNC)7033208
035 $a7033208
040 $aDLC$cDLC$dBTCTA$dUKM$dYDXCP$dC#P$dBWX$dOrLoB-B
050 00 $aN6853.B57$bA4 2009
082 00 $a759.4$222
100 1 $aBonnard, Pierre,$d1867-1947.$0http://id.loc.gov/authorities/names/n79040127
245 10 $aPierre Bonnard :$bthe late still lifes and interiors /$cedited by Dita Amory ; with essays by Dita Amory [and others] ; and contributions from Nicole R. Myers and Allison Stielau.
260 $aNew York :$bMetropolitan Museum of Art ;$aNew Haven :$bYale University Press,$c[2009], ©2009.
300 $axii, 195 pages :$billustrations (some color) ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tDirector's Foreword /$rThomas P. Campbell --$tThe Presence of Objects: Still Life in Bonnard's Late Paintings /$rDita Amory --$tA Desire for Dispossession: Portrait of the Artist as a Reader of Mallarme /$rRemi Labrusse --$tBonnard in the History of Twentieth-Century Art /$rJack Flam --$t"The Cat Drank All the Milk!": Bonnard's Continuous Present /$rJacqueline Munck --$tIntelligent Seeing /$rRika Burnham --$tCatalogue.
500 $aPublished in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Jan. 27-Apr. 19, 2009.
504 $aIncludes bibliographical references (p. 175-188) and index.
520 1 $a"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--BOOK JACKET.
600 10 $aBonnard, Pierre,$d1867-1947$vExhibitions.
650 0 $aStill-life in art$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2010114733
700 1 $aAmory, Dita,$d1954-$0http://id.loc.gov/authorities/names/n95011530
700 1 $aMyers, Nicole R.$0http://id.loc.gov/authorities/names/n2008077471
700 1 $aStielau, Allison.$0http://id.loc.gov/authorities/names/n2008077473
710 2 $aMetropolitan Museum of Art (New York, N.Y.)$0http://id.loc.gov/authorities/names/n79129629
852 80 $bfax$hND553 B64$iB64633
852 00 $bbar$hN6853.B57$iA4 2009
852 00 $bmil$hN6853.B57$iA4 2009