| Record ID | marc_columbia/Columbia-extract-20221130-015.mrc:144731412:3571 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:144731412:3571?format=raw |
LEADER: 03571cam a2200445 a 4500
001 7426572
005 20221130235102.0
008 070405s2007 nyua bf 001 0 eng
010 $a 2007014363
015 $aGBA743054$2bnb
016 7 $a013761326$2Uk
019 $a144220047
020 $a9780452286788
020 $a0452286786
035 $a(OCoLC)ocn122715396
035 $a(OCoLC)122715396$z(OCoLC)144220047
035 $a(NNC)7426572
035 $a7426572
040 $aDLC$cDLC$dBAKER$dUKM$dBTCTA$dJED$dC#P$dYDXCP$dYBM$dVP@$dSMP$dNRM$dOrLoB-B
050 00 $aTR850$b.P54 2007
082 00 $a778.5/3$222
100 1 $aAscher, Steven.$0http://id.loc.gov/authorities/names/n82214334
245 14 $aThe filmmaker's handbook :$ba comprehensive guide for the digital age /$cSteven Ascher and Edward Pincus ; drawings by Carol Keller and Robert Brun ; original photographs by Ted Spagna and Stephen McCarthy.
250 $a3rd ed. /$bcompletely rev. and updated by Steven Ascher with contributions by David Leitner.
260 $aNew York :$bPlume,$c2007.
300 $axii, 817 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [794]-797) and index.
505 00 $g1.$tIntroduction to video and film systems --$g2.$tBefore you begin production --$g3.$tThe video camcorder --$g4.$tThe lens --$g5.$tThe video image --$g6.$tThe film camera --$g7.$tThe film image --$g8.$tColor and filters --$g9.$tThe shoot --$g10.$tSound recording systems --$g11.$tSound recording techniques --$g12.$tLighting --$g13.$tPicture and dialogue editing --$g14.$tEditing video --$g15.$tEditing film --$g16.$tSound editing and mixing --$g17.$tThe film laboratory --$g18.$tFilm and digital transfers --$g19.$tProducing and distributing the movie --$gApp. A.$tAdjusting a video monitor --$gApp. B.$tData rates and storage needs for various digital formats --$gApp. C.$tDepth of field tables --$gApp. D.$tHyperfocal distance tables --$gApp. E.$tLens angle/focal length tables --$gApp. F.$tA comparison of running times and formats of 8mm, super 8, 16mm, and 35mm motion picture films --$gApp. G.$tSynching film rushes --$gApp. H.$tSplitting 16mm and 35mm mag tracks prior to the mix --$gApp. I.$tCement splicing --$gApp. J.$tConforming film original.
520 1 $a"Widely acknowledged as the "bible" of film and video production, used in courses around the world, this indispensable guide to making movies is now updated for 2007/2008 with the latest advances in high definition formats. For students and teachers, professionals and novices, this clear and comprehensive handbook is the reliable reference for all aspects of moviemaking."--BOOK JACKET.
650 0 $aDigital cinematography$vHandbooks, manuals, etc.$0http://id.loc.gov/authorities/subjects/sh2009123373
650 0 $aDigital video$vHandbooks, manuals, etc.$0http://id.loc.gov/authorities/subjects/sh2009123374
650 0 $aMotion pictures$xProduction and direction$vHandbooks, manuals, etc.$0http://id.loc.gov/authorities/subjects/sh2010102550
700 1 $aPincus, Edward.$0http://id.loc.gov/authorities/names/n82214335
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0715/2007014363.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0808/2007014363-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0808/2007014363-d.html
852 00 $bglx$hTR850$i.P54 2007
852 00 $bjou$hTR850$i.P54 2007