Record ID | marc_columbia/Columbia-extract-20221130-015.mrc:51444141:3196 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:51444141:3196?format=raw |
LEADER: 03196cam a22003734a 4500
001 7147758
005 20221130212022.0
008 090107t20092009ilua bk 001 0 eng
010 $a 2008054658
020 $a9780812696646 (trade paper : alk. paper)
020 $a0812696646 (trade paper : alk. paper)
024 $a40016595595
035 $a(OCoLC)ocn277205535
035 $a(OCoLC)277205535
035 $a(NNC)7147758
035 $a7147758
040 $aDLC$cDLC$dBTCTA$dYDXCP$dC#P$dOrLoB-B
050 00 $aML421.R25$bR33 2009
082 00 $a782.42166092/2$222
245 00 $aRadiohead and philosophy :$bfitter happier more deductive /$cedited by Brandon W. Forbes and George A. Reisch.
260 $aChicago :$bOpen Court,$c[2009], ©2009.
300 $ax, 295 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aPopular culture and philosophy ;$vv. 38
504 $aIncludes bibliographical references and index.
504 $aIncludes discography: p. 277-281.
505 00 $t1 Step -- $tAnyone Can Play Philosophy -- $g1.$tIs Radiohead the Pink Floyd of the Twenty-First Century? /$rGeorge A. Reisch -- $g2.$tRadiohead, or the Philosophy of Pop /$rMark Greif -- $g3.$tAll the Argument We Need /$rJohn Sylvia -- $g4.$tRadiohead and Some Questions about Music /$rEdward Slowik -- $tArt and Belief -- $g5.$tNew Shades /$rJere O'neill Surber -- $g6.$tWhy Such Sad Songs? /$rMicah Lott -- $g7.$t"The Eraser": Start Making Sense /$rDavid Dark -- $tRadiohead and the Music Industry -- $g8.$tTaking the Sting Out of Environmental Virtue Ethics /$rDaniel Milsky -- $g9.$tWe (Capitalists) Suck Young Blood /$rJoseph Tate -- $g10.$tEverybody Hates Rainbows /$rD. E. Wittkower -- $tRadiohead's Existential Politics -- $g11.$tNietzsche, Nihilism and "Hail to the Thief" /$rDevon Lougheed -- $g12.$tThe Real Politics in Radiohead /$rJerome Melancon -- $g13.$tThe Impossible Utopias in "Hail to the Thief" /$rSean Burt -- $g14.$tWhere Power Ends and Violence Begins /$rBrandon W. Forbes -- $g15.$tEvil and Politics in "Hail to the Thief" /$rJason Lee -- $tRadiohead, Heidegger,and Technology -- $g16.$tThe Mutilation of Voice in "Kid A" (Or, My John Mayer Problem) /$rAdam Koehler -- $g17.$tWhy a Rock Band in a Desolate Time? /$rMatthew Lampert -- $g18.$tThe Signature of Time in "Pyramid Song" /$rMichael Thompson -- $g19.$tFitter Happier Rolling a Large Rock Up a Hill /$rLindsey Fiorelli -- $tRadiohead and the Postmodern -- $g20.$t"Kid A" as a Musing on the Post-Modern Condition /$rBradley Kaye -- $g21.$tHyperreally Saying Something /$rTim Footman -- $g22.$tSexier More Seductive /$rPerry Owen Wright -- $tWhere we got our big ideas.
610 20 $aRadiohead (Musical group)$0http://id.loc.gov/authorities/names/no97045991
650 0 $aMusic and philosophy.$0http://id.loc.gov/authorities/subjects/sh2003002223
700 1 $aForbes, Brandon W.$0http://id.loc.gov/authorities/names/n2009001057
700 1 $aReisch, George A.,$d1962-$0http://id.loc.gov/authorities/names/n2004011523
830 0 $aPopular culture and philosophy ;$vv. 38.$0http://id.loc.gov/authorities/names/n00105286
852 00 $bmus$hML421.R25$iR33 2009