MARC Record from marc_columbia

LEADER: 03191cam a2200325Ia 4500
001 7236975
005 20221130222629.0
008 090508s2009 nyua c 000 0 eng d
020 $a9780810905955
020 $a0810905957
024 $a40016755059
035 $a(OCoLC)ocn320444820
035 $a(OCoLC)320444820
035 $a(NNC)7236975
035 $a7236975
040 $aZLM$cZLM$dNhCcYBP$dOrLoB-B
050 4 $aNB237.C377$bA4 2009
082 04 $a730.92
100 1 $aCarter, Arthur,$d1931-$0http://id.loc.gov/authorities/names/nr2002017401
245 10 $aArthur Carter :$bsculptures, paintings, drawings /$c[essays by] Charles A. Riley, Peter W. Kaplan.
260 $aNew York :$bAbrams,$c2009.
300 $a207 pages :$bchiefly color illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tArthur Carter: Sculptures, Paintings, Drawings /$rCharles A. Riley -- $tPlates -- $tArs Gratia Arthur /$rPeter W. Kaplan.
520 1 $a"This monograph provides the first comprehensive view of Arthur Carter's artwork to be presented and analyzed within the context of his broad and colorful career. Born in New York City and raised on Long Island, Carter was a highly successful investment banker and business pioneer before turning to newspaper and magazine publishing in 1981. After founding and serving as publisher of The Litchfield Times and The New York Observer, and in between acquiring and serving as publisher of The Nation magazine, he began making art." "Charles A. Riley and Peter W. Kaplan illuminate the many facets of Carter's intellectual makeup and provide a rich framework for understanding his life and work. Riley, a respected arts journalist, curator, and professor, has examined the artist's diverse interests, and traced his artistic influences and development. Kaplan, a distinguished journalist who has known the artist for many years, has written a warm and insightful portrait of a brilliant friend." "At the heart of this book is Carter's work. Organized to highlight visual and conceptual connections, his stunning sculptures, paintings, and drawings reflect a love of geometry and music, and a respect for the underlying order of things. Inspired by the modernist artists Carter admires most - Pablo Picasso, Piet Mondrian, Alexander Calder, and David Smith, among others - his sculptures are noteworthy for their economic means, precision, and lyricism. Carter's paintings and drawings, often studies for his sculptures, reveal more of his thought process as well as another layer in his vision." "Arthur Carter's work is widely collected. It has been exhibited at Salander-O'Reilly Galleries in New York, the Tennessee State Museum, the Galerie Piltzer in Paris, and most recently at New York University's Grey Art Gallery. His sculptures may be seen in public spaces throughout New York and Connecticut."--BOOK JACKET.
600 10 $aCarter, Arthur,$d1931-$0http://id.loc.gov/authorities/names/nr2002017401
700 1 $aRiley, Charles A.,$cII.$0http://id.loc.gov/authorities/names/n94023046
700 1 $aKaplan, Peter W.$0http://id.loc.gov/authorities/names/n85072272
852 80 $bfax$hNB239 C24$iC24