MARC Record from marc_columbia

LEADER: 12264cam a22004574a 4500
001 7237038
005 20221130222636.0
008 081217t20092009caua b s001 0 eng
010 $a 2008054649
020 $a9780520221031 (cloth : alk. paper)
020 $a0520221036 (cloth : alk. paper)
020 $a9780520253728 (pbk. : alk. paper)
020 $a0520253728 (pbk. : alk. paper)
024 $a40016801619
035 $a(OCoLC)ocn264039759
035 $a(OCoLC)264039759
035 $a(NNC)7237038
035 $a7237038
040 $aDLC$cDLC$dBTCTA$dUKM$dYDXCP$dC#P$dOrLoB-B
043 $ae-ur---$ae-ru---
050 00 $aN6447$b.R88 2009
082 00 $a709.04$222
245 00 $aRussian and Soviet views of modern Western art :$b1890s to mid-1930s /$cedited by Ilia Dorontchenkov ; translated by Charles Rougle ; consulting editor, Nina Gurianova.
260 $aBerkeley :$bUniversity of California Press,$c[2009], ©2009.
300 $axv, 347 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe documents of twentieth-century art
504 $aIncludes bibliographical references (p. 325-330) and index.
505 00 $tRussian Criticism Before the Revolution: 1890s-1917 -- $gI.$tFacing Europe: Impressions, Contacts, and Criticisms -- $g1.$t"Notes on Art" (1897) /$rMark Antokol'skii -- $g2.$t"Decline or Renaissance? A Survey of Contemporary Trends in Art" (1897) /$rIgor' Grabar' -- $g3.$tNineteenth-Century Art: Painting (1901) /$rVladimir Stasov -- $g4.$t"An Artist's Text" (1918) /$rVasily Kandinsky -- $g5.$tOn the Border of Two Centuries (1930) /$rAndrei Belyi -- $g6.$t"On Grand Art" (1907) /$rPavel Muratov -- $g7.$t"The Bases of Artistic Judgment" (1899) /$rSergei Diaghilev and Dmitrii Filosofov] -- $g8.$t"European Exhibitions and Russian Painters" (1896) /$rSergei Diaghilev -- $g9.$t"The Exhibition in Helsingfors" (1899) /$rSergei Diaghilev -- $g10.$t"Exhibitions" (1898) /$rVladimir Stasov -- $g11.$tLetter to Vladimir Stasov (1898) /$rGrigorii Miasoedov -- $g12.$t"The Court of Miracles" (1899) /$rVladimir Stasov -- $g13.$t"Around European Exhibitions" (1904) /$rIgor' Grabar' -- $g14.$t"A Letter from Munich" (1909-10) /$rVasily Kandinsky -- $gII.$tWestern Influences: Symbolism, Impressionism, Post-Impressionism, and the Golden Fleece Exhibitions -- $g15.$t"Bocklin's Painting" (1900) /$rIvan Konevskoi -- $g16.$t"Maurice Denis" (1901) /$rAlexandre Benois -- $g17.$t"Around Europe" (1902) /$rIgor' Grabar' -- $g18.$t"An Artist's Conversations: 1. On Impressionism" (1899) /$rAlexandre Benois -- $g19.$t"Around Europe: Letters on Contemporary Art" (1902) /$rIgor' Grabar' -- $g20.$t"The Proletarian Movement and Bourgeois Art" (1905) /$rGeorgii Plekhanov -- $g21.$t"The Autumn Salon" (1904) /$rStepan Iaremich -- $g22.$t"Cezanne" (1905) /$rAlexandre Shervashidze -- $g23.$t"Aspirations of the New French Painting" (1908) /$rMaksimilian Voloshin -- $g24.$tLetters from Paris to Il'ia Mashkov (1908) /$rPetr Konchalovskii -- $g25.$t"The Golden Fleece Salon" (1908) /$rPavel Muratov -- $g26.$t"Moscow Exhibitions" (1909) /$rIgor' Grabar' -- $gIII.$tMatisse, Picasso, and the Shchukin and Morozov Collections -- $g27.$t"S.I. Shchukin's French Collection" (1914) /$rIakov Tugendkhol'd -- $g28.$t[Nordman]. Intimate Pages (1910) /$rNatal'ia Severova -- $g29.$t"KARTINiia" (1914) /$rVasilii Karnenskii -- $g30.$t"French Artists in the Morozov Collection" (1912) /$rSergei Makovskii -- $g31.$t"The Museum of Modern Western Art in Moscow [The Morozov Section]" (1922-23) /$rBoris Ternovets -- $g32.$t"The Salon" (1910) /$rNikolai Breshko-Breshkovskii -- $g33.$t"The 'Salon' and Bakst's School" (1910) /$rAlexandre Benois -- $g34.$t"The lzdebsky Salon" (1910) /$rIl'ia Repin -- $g35.$t"The Autumn Salon" (1910) /$rIakov Tugendkhol'd -- $g36.$tLetter to Nadezhda Shamshina (1911) /$rBoris Ternovets -- $g37.$t"Moscow Impressions" (1911) /$rAlexandre Benois -- $g38.$t"Stamped Culture" (1909) /$rBoris Bugaev and Andrei Belyi -- $g39.$t"Apropos of an Exhibition in London with Participating Russian Artists" (1913) /$rBoris Anrep -- $g40.$t"More on New Trends in Art" (1912) /$rAlexandre Benois -- $g41.$t"Literature, Art Criticism, Debates, and Lectures" (1913) /$rS. Khudakov -- $g42.$t"Beauty's Corpse [Apropos of Picasso's Paintings)" (1915) /$rSergei Bulgakov -- $g43.$tPicasso and the Environs (1917) /$rIvan Aksenov -- $gIV.$tCubism and Futurism -- $g44.$t"What Is Cubism?" (1912) /$rE. Dmitriev -- $g45.$t"A Letter from Paris" (1912) /$rIakov Tugendkhol'd -- $g46.$t"Art and Social Life" (1912) /$rGeorgii Plekhanov -- $g47.$t"Cubism (Surface - Plane)" (1912) /$rDavid Burliuk -- $g48.$tDiary (1912-13) /$rNadezhda Udal'tsova -- $g49.$t"On Du Cubisme by Metzinger and Gleizes" (1913) /$rMikhail Matiushin -- $g50.$tThe Principles of Cubism and Other Currents in Painting from All Ages and Nations (1913) /$rAleksandr Shevchenko -- $g51.$t"Cubism" (1915) /$rNikolai Kulbin -- $g52.$t"On New Systems in Art: Statics and Speed" (1919) /$rKazimir Malevich -- $g53.$t"Escapes from Cubism" (1923) /$rNikolai Punin -- $g54.$t"Boccioni's Futurist Sculpture Exhibition" (1913) /$rSillart -- $g55.$tFuturism: Toward a New Symbolism (1914) /$rGenrikh Tasteven -- $g56.$t"On Marinetti's Visit to Russia" (1914) /$rVelimir Khlebnikov and Benedikt Livshits -- $g57.$tThe Crisis in Art (1917) /$rNikolai Berdiaev -- $g58.$t"Futurism" (1919) /$rR. Ia. Roman Jakobson -- $gV.$tArt and Nationality: Polemics and Reactions -- $g59.$t"Art Survey" (1910) /$rSergei Makovskii -- $g60.$t"The 'Russian Seasons' in Paris" (1910) /$rIakov Tugendkhol'd -- $g61.$t"Icons and the New Art" (1913) /$rAlexandre Benois -- $g62.$t"The Noisy 'Benois' and the New Russian National Art" (1913) /$rDavid Burliuk -- $g63.$tForeword to the Goncharova exhibition catalogue (1913) /$rNatal'ia Goncharova and Il'ia Zdanevich -- $g64.$tOn the Ties of Russian Painting to Byzantium and the West, 13th-20th Centuries: Thoughts of an Artist (1913) /$rAleksei Grishchenko -- $g65.$t"The Painting of the Everythingists" (c. 1914) /$rMikhail Le Dantiu -- $g66.$t"We and the West" (1914) /$rGeorgii Iakulov, Benedikt Livshits and Artur Lourie -- $g67.$t"Russia. Art. We" (1914) /$rVladimir Mayakovsky -- $tRussian and Soviet Criticism After the Revolution -- $gVI.$tThe International of Art and the Great Utopia -- $g68.$tReminiscences of Lenin (1924) /$rClara Zetkin -- $g69.$t"Our Critique. Essay One: On Artistic Heritage" (1918) /$rAleksandr Bogdanov -- $g70.$t"The Art of the Labor Commune" (1918) /$rVladimir Friche -- $g71.$tDecree of the Soviet of People's Commissars on the Nationalization of the Sergei Shchukin Art Gallery (1918) -- $g72.$t"The Museum of Western Art in Moscow" (1920) /$rPavel Muratov -- $g73.$t"The Museum of the Culture of Painting" (1920) /$rVasily Kandinsky -- $g74.$tDiary Entry (1919) /$rVarvara Stepanova -- $g75.$t"The Third International" (1919) /$rNikolai Punin -- $g76.$t"The International of Art (The Tasks Confronting the International Union of Fine Arts Workers]" (1919) /$rKonstantin Krainii Umanskii -- $g77.$t"The Great Utopia" (1920) /$rVasily Kandinsky -- $g78.$tIZO Editorial (1921) -- $g79.$t"We and the West" (1920) /$rAbram Efros -- $g80.$tTatlin (Against Cubism) (1921) /$rNikolai Punin -- $g81.$t"On the Exchange of Art Exhibitions with Western Europe" (1921) /$rJansen -- $g82.$t"Toward Proletarian Art" (1922) /$rBoris Arvatov -- $g83.$t"Predictions" (1922) /$rPavel Muratov -- $g84.$t"On the Emerging New Phase of All-European Art" (1922) /$rVasilii Chekrygin -- $g85.$t"From the Wanderers to Heroic Realism" (1923) /$rViktor Perelman -- $g86.$t"A Response to French Artists" (1924) /$rNikolai Punin -- $g87.$t"Once Again on French Artists and Us" (1924) /$rIakov Tugendkhol'd -- $g88.$t"The USSR and French Artists" (1924) /$rNikolai Punin -- $gVII.$tNew Visions of Western Art -- $g89.$t"Letters from the West: Dada" (1921) /$rR. Ia. Roman Jakobson -- $g90.$t"Exhibitions in Berlin" (1922) /$rEl [Lazar] Lissitzky -- $g91.$t"Futurism" (1923) /$rLeon Trotsky -- $g92.$t"A Seven-Day Inspection of French Painting" (1923) /$rVladimir Mayakovsky -- $g93.$t"Rodchenko in Paris: Letters Home" (1927) /$rAleksandr Rodchenko -- $g94.$tThe Artistic Culture of the West (1928) /$rIakov Tugendkhol'd -- $g95.$t"The Art of Contemporary America" (1928) /$rIa. T-d Iakov Tugendkhol'd -- $gVIII.$tExpressionism and George Grosz -- $g96.$t"Notes on Western Painting: 1. The End of Expressionism" (1923) /$rVladimir Weidle -- $g97.$t"Expressionism as a Social Phenomenon: Apropos of Eckart v[on] Sydow, Die deutsche expressionistische Kultur und Maleri [Berlin, 1920]" (1922) /$rBoris Arvatov -- $g98.$t"Introduction" to Georg Marzinski's The Expressionist Method in Painting (1923) /$rNikolai Radlov -- $g99.$t"Apropos of the German Art Exhibition" (1924) /$rNikolai Tarabukin -- $g100.$t"Ecce Homo" (1923) /$rOsip Brik -- $g101.$t"George Grosz" (1923) /$rAbram Efros -- $g102.$t"Foreword" to the Russian translation of George Grosz and Wieland Herzfelde's Art Is in Danger: Three Essays (1926) /$rViktor Pertsov -- $g103.$t"Art Is in Danger" (1926) /$rAnatolii Lunacharskii -- $gIX.$tCreating a Model for Revolutionary Art -- $g104.$t"On the New Realism in Connection with Western European Trends in Art" (1925) /$rAleksei Fedorov-Davydov --
505 80 $g105.$t"Revolutionary Art of the West (The State Academy of Artistic Sciences Exhibition)" (1926) /$rAbram Efros -- $g106.$tThe Art of Contemporary Europe (1926) /$rIvan Matsa [Janos Macza) -- $g107.$t"Discussion on AKhRR" (1926) /$rAnatolii Lunacharskii -- $g108.$t"Against Leftist Phrase Mongering and Unfair Criticism (Apropos of Comrade A. Kurella's Article)" (1928) /$rEmelian Iaroslavskii -- $g109.$t"From 'Russia's Revolutionary Art' to Proletarian Art: Responses and Questions for the Critics" (1928) /$rAlfred Kurella -- $g110.$t"Diego Rivera" (1929) /$rAleksei Mikhailov -- $g111.$t"Militant Art: John Heartfield, Proletarian Artist" (1932) /$rAleksei Fedorov-Davydov -- $gX.$tChanging Views of Western Art -- $g112.$t"The Contemporary French Art Exhibition in Moscow" (1928) /$rBoris Ternovets -- $g113.$t"The French in Moscow" (1928) /$rTs. Plotkin -- $g114.$tVladimir Vasil'evich Lebedev (1928) /$rNikolai Punin -- $g115.$t"From Dada to Surrealism: On Painting, Literature, and the French Intelligentsia" (1929) /$rSergei Romov -- $g116.$t"Contemporary French Painting" (1929) /$rSergei Romov -- $g117.$t"Against the Cult of the French" (1930) /$rFrida Roginskaia -- $g118.$t"To the Highest Level!" (1931) /$rIvan Matsa [Janos Macza] -- $g119.$t"Comrade Bogorodskii's Trip Abroad" (1931) /$rAleksei Mikhailov -- $g120.$t"The Museum of Modern Western Painting Must Live!" (1930) /$rDmitrii Lebedev -- $g121.$t"A Journey to Armenia: The French" (1933) /$rOsip Mandelstam -- $g122.$t"Cezanne and Cezannism" (1921) /$rD. Mel'nikov -- $g123.$t"R[obert] Fal'k and Moscow Painting" (1923) /$rDavid Arkin -- $g124.$t"The Still Life as a Problem of Style" (1928) /$rNikolai Tarabukin -- $g125.$t"Mikhail Larionov's Impressionist Period" (1928) /$rNikolai Punin -- $g126.$t"The Pissarro Exhibition: Letter from Paris" (1929) /$rAmshei Niurenberg -- $g127.$t"Response to an Impressionist" (1929) /$rAleksandr Severdenko -- $g128.$t"The Painter of Happiness: On Viewing Renoir's Canvases" (1933) /$rAnatolii Lunacharskii -- $gXI.$tThe End of an Era -- $g129.$t"Against Formalism in Soviet Art" (1936) /$rPolikarp Lebedev -- $g130.$t"An Eyewitness Account of the Closing of the Museum of Modern Western Art" (1988) /$rNina lavorskaia.
650 0 $aArt, Modern$y19th century$vSources.
650 0 $aArt, Modern$y20th century$vSources.
650 0 $aArt criticism$zRussia$xHistory$y19th century.
650 0 $aArt criticism$zRussia$xHistory$y20th century.
650 0 $aArt criticism$zSoviet Union.
700 1 $aDorontchenkov, Ilia,$d1961-$0http://id.loc.gov/authorities/names/n2008084521
700 1 $aRougle, Charles,$d1946-2020.$0http://id.loc.gov/authorities/names/n83222897
700 1 $aGurʹi︠a︡nova, N. A.$0http://id.loc.gov/authorities/names/nr92040722
830 0 $aDocuments of 20th century art.$0http://id.loc.gov/authorities/names/n86748106
852 00 $boff,fax$hN6447$i.R88 2009