| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:104351225:1648 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:104351225:1648?format=raw |
LEADER: 01648cam a2200373 a 4500
001 7785234
005 20221201031729.0
008 090804t20102010caua b 001 0 eng
010 $a 2009030995
020 $a9780520256729 (cloth : alk. paper)
020 $a0520256727 (cloth : alk. paper)
020 $a9780520254565 (pbk. : alk. paper)
020 $a0520254562 (pbk. : alk. paper)
024 $a40017881601
035 $a(OCoLC)ocn429474037
035 $a(NNC)7785234
035 $a(OCoLC)429474037
035 $a7785234
040 $aDLC$cDLC$dYDX$dUKM$dYDXCP
043 $aa-ja---
050 00 $aPN1993.5.J3$bG45 2010
082 00 $a791.430952/09041$222
100 1 $aGerow, Aaron Andrew.$0http://id.loc.gov/authorities/names/no00034542
245 10 $aVisions of Japanese modernity :$barticulations of cinema, nation, and spectatorship, 1895-1925 /$cAaron Gerow.
260 $aBerkeley :$bUniversity of California Press,$c[2010], ©2010.
300 $axiii, 323 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aThe motion pictures as a problem -- Gonda Yasunosuke and the promise of film study -- Studying the pure film -- The subject of the text: Benshi, authors, and industry -- Managing the internal -- Conclusion : mixture, hegemony, and resistance.
650 0 $aMotion pictures$zJapan$xHistory$y19th century.
650 0 $aMotion pictures$zJapan$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2010102517
653 $aPure Film Movement
852 00 $bglx$hPN1993.5.J3$iG45 2010