| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:10793544:3064 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:10793544:3064?format=raw |
LEADER: 03064cam a22003734a 4500
001 7524449
005 20221201010102.0
008 090327s2010 nyua b 001 0 eng
010 $a 2009012479
020 $a9780415420426 (hardback)
020 $a0415420423 (hardback)
020 $a9780415420433 (pbk.)
020 $a0415420431 (pbk.)
035 $a(OCoLC)ocn244057099
035 $a(OCoLC)244057099
035 $a(NNC)7524449
035 $a7524449
040 $aDLC$cDLC$dYDX$dOrLoB-B
050 00 $aPN1995.9.T78$bW34 2010
082 00 $a791.43/653$222
100 1 $aWaddell, Terrie.$0http://id.loc.gov/authorities/names/no2003062737
245 10 $aWild/lives :$btrickster, place and liminality on screen /$cTerrie Waddell.
260 $aNew York, NY :$bRoutledge,$c2010.
300 $axvii, 186 pages, 8 unnumbered pages of color plates :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $g1.$tVerging on wildness: Liminality and trickster -- $g2.$tFrom the slime to the scream: Pigs, whores and random acts of soiling - Deadwood -- $g3.$tChanneling the 'inner warrior': Bear whispering as an extreme sport - Grizzly Man -- $g4.$tWaiting for god only knows: The island with agency - Lost -- $g5.$tLost in space: The pull of a sentient planet and its avatars - Solaris -- $g6.$tDrop and give me ten: The game, the shame, the pain - The Biggest Loser -- $g7.$tDog day afternoons: Furbabies and hellhounds - Amores Perros (Love's a Bitch) -- $g8.$tTell me about the rabbits Carol: Fear and misandry in the underworld - Repulsion.
520 1 $a"Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--BOOK JACKET.
650 0 $aTricksters in motion pictures.$0http://id.loc.gov/authorities/subjects/sh2009003000
650 0 $aLiminality in motion pictures.$0http://id.loc.gov/authorities/subjects/sh2009002998
650 0 $aTricksters on television.$0http://id.loc.gov/authorities/subjects/sh2009002999
650 0 $aLiminality on television.$0http://id.loc.gov/authorities/subjects/sh2009002997
852 00 $bglx$hPN1995.9.T78$iW34 2010