| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:109700695:1764 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:109700695:1764?format=raw |
LEADER: 01764cam a2200325 a 4500
001 7799926
005 20221201032617.0
008 100329s2009 mx af 001 0 spa d
020 $a9786070205415
020 $a6070205413
035 $a(OCoLC)ocn610882852
035 $a(OCoLC)610882852
035 $a(NNC)7799926
035 $a7799926
040 $aCGU$cCGU$dNNC
050 4 $aN6494.P6$bJ83 2009
100 1 $aJuanes, Jorge.$0http://id.loc.gov/authorities/names/n86081906
245 10 $aPop art y sociedad del espectáculo /$cJorge Juanes.
260 $aMéxico :$bUniversidad Nacional Autónoma de México,$c2009.
300 $a109 pages :$billustrations ;$c20 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aSerie Ensayos
504 $aIncludes bibliographical references (p. 97-100) and index.
520 8 $aExamines in detail the main actors and artwork of the 1970's defending the right to exist of an art designed for the masses with references to the replicable works by Andy Warhol, James Rosenquist, Roy Lichstenstein, Claes Oldenburg and Jean-Michael Basquiat amongst others who used modern technology to create their art. The author "will try to demonstrate that Pop Art is a significant contributor of art, and that ultimately it revolves always around mainly artistic problems.."--p. 14.
650 0 $aPop art$xHistory.
650 0 $aArt, Modern$y20th century$xHistory.$0http://id.loc.gov/authorities/subjects/sh85007806
710 2 $aEscuela Nacional de Artes Plásticas (Mexico)$0http://id.loc.gov/authorities/names/n85369768
830 0 $aColección Ensayos (Universidad Nacional Autónoma de México)$0http://id.loc.gov/authorities/names/no99055949
852 00 $boff,fax$hN6494.P6$iJ83 2009g