MARC Record from marc_columbia

LEADER: 04131cam a2200457 a 4500
001 7800693
005 20221201032732.0
008 090501s2009 nyu 000 0 eng
010 $a 2009017540
020 $a9781934414309 (pbk.)
020 $a1934414301 (pbk.)
024 $a99937788682
035 $a(OCoLC)ocn318877321
035 $a(OCoLC)318877321
035 $a(NNC)7800693
035 $a7800693
040 $aDLC$cDLC$dBTCTA$dC#P$dYDXCP$dOrLoB-B
041 1 $aeng$aspa$hspa
043 $anwdr---
050 00 $aPQ7406.5.E5$bC37 2009
082 00 $a861/.640809287097293$222
100 1 $aCartagena Portalatín, Aída.$0http://id.loc.gov/authorities/names/n81002206
245 10 $aPraises & offenses :$bthree women poets from the Dominican Republic /$cAída Cartagena Portalatín, Ángela Hernández Núñez, Ylonka Nacidit-Perdomo ; translated from the Spanish by Judith Kerman ; with an introduction by Linda M. Rodríguez Guglielmoni and Judith Kerman.
246 3 $aPraises and offenses
250 $a1st ed.
260 $aRochester, NY :$bBOA Editions,$c2009.
300 $a160 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tfrom Vispera del Sueno, 1944 -- $tThe Eve of the Dream -- $tPoem of Your Oblivion -- $tfrom Del Sueno al Mundo, 1945 -- $tFrom the Dream to the World -- $tHow to Weep for the Death of a Rose -- $tfrom Una Mujer Esta Sola, 1955 -- $tA Woman Is Alone -- $tfrom La Voz Desatada, 1962 -- $tMaybe a Useless Petition -- $tfrom La Tierra Escrita: Elegias, 1967 -- $tElegy for Elegies -- $tSecond Elegy -- $tfrom En la Casa del Tiempo, 1984 -- $tblack memories -- $textermination in gray -- $tfrom Arca Espejada, 1994 -- $tTo Go Lightly -- $tMirrored Casket -- $tThe Landscape's Deathly Pallor -- $tMeeting with Myself -- $tSimple -- $tFever -- $tfrom Telar de Rebeldia, 1998 -- $tIf I Want to Run Away -- $tThe Order of the Finite -- $tWatch, Running on Time -- $tWhat I Have Is a Lung Closed like Stone -- $tfrom Alicornio, 2004 -- $tThe Image Vanquishes Physics -- $tA Kite and a Star -- $tMercado Modele -- $tReflection -- $tTainos -- $tfrom Papeles de la Noche, 1998 -- $tstrange army of dreams -- $tsolitude -- $tlove. floating love. naked love -- $tnow that I want -- $tthe night is saddened. sad with pale sadness -- $tthe night is a wedding bed of secret yellow -- $tfrom Hacia el Sur, 2001 -- $tyour glance launched me at the world -- $tgoing south -- $twords please me -- $tnothing more beautiful than going behind your face -- $tgreen space the landscape, solitude flies in a flute -- $tthe glance awakens the affirmation hardly lost -- $tonly your face, love, is a seashell of orchids -- $tyour name.
520 1 $a"While the three poets presented in this bilingual collection present a rich contrast of linguistic and stylistic elements, each of them addresses shared political and cultural issues, illuminating what it means to be a woman living in the modern day Dominican Republic. Judith Kerman, who has translated a number of female poets from the Caribbean, notes that "contemporary women poets from the Dominican Republic are the most under-served group when it comes to English-language translation, in particular full-length collections or anthologies." Thus, this exciting new anthology from BOA contains much that was previously unavailable to the English reader, and is a unique literary event to be celebrated."--BOOK JACKET.
546 $aEnglish and Spanish.
650 0 $aDominican poetry$xWomen authors$vTranslations into English.
650 0 $aDominican poetry$y20th century$vTranslations into English.
650 0 $aDominican poetry$xWomen authors.
650 0 $aDominican poetry$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002007121
651 0 $aDominican Republic$vPoetry.
700 1 $aHernández, Angela.$0http://id.loc.gov/authorities/names/n86031501
700 1 $aNacidit Perdomo, Ylonca.$0http://id.loc.gov/authorities/names/n96079473
700 1 $aKerman, Judith,$d1945-$0http://id.loc.gov/authorities/names/n87922800
852 00 $bglx$hPQ7406.5.E5$iC37 2009