| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:117629252:3562 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:117629252:3562?format=raw |
LEADER: 03562cam a2200517 a 4500
001 7811709
005 20221201034149.0
008 100604s2010 caua bc 001 0 eng
010 $a 2010004629
020 $a9783791350455
020 $a3791350455
020 $a9783791362977
020 $a3791362976
020 $a9783791362960
020 $a3791362968
029 1 $aAU@$b000045283745
029 1 $aOHX$bhar100015640
035 $a(OCoLC)ocn503655299
035 $a(GyWOH)har100015640
035 $a(OCoLC)503655299
035 $a(NNC)7811709
035 $a7811709
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050 00 $aND547.5.I4$bB57 2010
082 00 $a759.409/03407444361$222
245 00 $aBirth of Impressionism :$bmasterpieces from the Musée d'Orsay /$cproject curated by Guy Cogeval, Stéphane Guégan, and Alice Thomine-Berrada ; additional contributions by Krista Brugnara [and others].
246 30 $aMasterpieces from the Musée d'Orsay
260 $a[San Francisco] :$bFine Arts Museums of San Francisco ;$aMunich ;$aNew York :$bDelMonico Books/Prestel Pub. ;$a[Paris, France] :$bMusée d'Orsay,$c2010.
300 $a255 pages :$bcolor illustrations ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tPreface /$rNicolas Sarkozy -- $tForeword /$rGuy Cogeval -- $tThe Musee D'Orsay: A Short History /$rAlice Thomine-Berrada -- $tIntroduction /$rAlice Thomine-Berrada -- $gPART 1.$tDIVERSITY AND DISCONTENT IN NINETEENTH-CENTURY FRENCH PAINTING /$rEric Zafran -- $tThe Salon: Ancients And Moderns /$rDominique Lobstein -- $tRealism: The Legacies Of Millet and Courbet /$rDominique Lobstein -- $tThe Terrible Year /$rAlice Thomine-Berrada -- $gPART 2.$tMANET ON VIEW /$rStephane Guegan -- $tManet: Between Tradition and Innovation /$rAlice Thomine-Berrada -- $gPART 3.$tIMPRESSIONISM AND THE NEW PAINTING /$rCharles S. Moffett -- $tThe Ecole Des Batignolles /$rAlice Thomine-Berrada -- $tClassic Impressionists: Monet, Renoir, and Sisley /$rLynn Federle Orr -- $tPissarro and Cezanne: An Early Modern Friendship /$rKrista Brugnara -- $tDegas: A Snapshot of Modern Life /$rMaria Lopez Fernandez -- $tEpilogue "Secret Affinities": The New Painting and Rationalist Architecture in Nineteenth-Century Paris /$rAlice Thomine-Berrada.
500 $aPublished on the occasion of an exhibition held at the de Young Museum, San Francisco, May 22-Sept. 6, 2010 and at the Frist Center for the Visual Arts, Nashville, Oct. 15, 2010-Jan. 23, 2011.
504 $aIncludes bibliographical references and index.
650 0 $aImpressionism (Art)$zFrance$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008104319
650 0 $aPainting, French$y19th century$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008108817
650 0 $aPainting$zFrance$zParis$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2010104772
650 0 $aArt and society$zFrance$xHistory$y19th century.
610 20 $aMusée d'Orsay$vExhibitions.
700 1 $aGuégan, Stéphane.$0http://id.loc.gov/authorities/names/n93034196
700 1 $aThomine-Berrada, Alice.$0http://id.loc.gov/authorities/names/n2004013859
700 1 $aBrugnara, Krista.$0http://id.loc.gov/authorities/names/n2010007220
710 2 $aM.H. de Young Memorial Museum.$0http://id.loc.gov/authorities/names/n80051192
710 2 $aFrist Center for the Visual Arts (Nashville, Tenn.)$0http://id.loc.gov/authorities/names/n00008163
852 80 $bfax$hND547$iB53