Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:131640429:1505 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:131640429:1505?format=raw |
LEADER: 01505cam a2200301 a 4500
001 7834923
005 20221201040535.0
008 100709t19891987enka b 001 0 eng d
020 $a0521327806 (hardcovers)
020 $a0521379776 (paperback)
035 $a(OCoLC)26703735
035 $a(OCoLC)ocm26703735
035 $a(NNC)7834923
035 $a7834923
040 $aNNC$cNNC
050 4 $aML3795$b.M78 1989
245 00 $aMusic and society :$bthe politics of composition, performance, and reception /$cedited by Richard Leppert and Susan McClary.
250 $a1st paperback ed.
260 $aCambridge [Cambridgeshire] ;$aNew York :$bCambridge University Press,$c1989, ©1987.
300 $axx, 202 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aThe ideology of autonomous art -- The blasphemy of talking politics during Bach year -- Music, domestic life and cultural chauvinism: images of British subjects at home in India -- On grounding Chopin -- Towards an aesthetic of popular music -- Music and male hegemony -- The sound of music in the era of its electronic reproducibility.
650 0 $aMusic$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh85088891
700 1 $aLeppert, Richard D.$0http://id.loc.gov/authorities/names/n77012167
700 1 $aMcClary, Susan.$0http://id.loc.gov/authorities/names/n85293654
852 00 $bsaid$hML3795$i.M78 1989g